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|a 9781629221182
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|z 9781629221175
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|z 9781629221199
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|a (OCoLC)1262371094
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
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|a Mohr, Hope,
|e author.
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|a Shifting Cultural Power :
|b Case Studies and Questions in Performance /
|c Hope Mohr with contributions from participants in The Bridge Project.
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|a First edition.
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| 264 |
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|a Akron, Ohio :
|b The University of Akron Press,
|c 2021.
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| 264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©2021.
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| 300 |
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|a 1 online resource (138 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
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|a The NCCAkron Series in Dance
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|a Note on Engaging with this Book -- Dedication -- Note from NCCAkron -- Foreword: Curating Oneself Out of the Room -- Prologue: What Does It Mean to Have a Radical Body? -- Chapter 1: Curating as Community Organizing: What it Means and Why it Matters -- Chapter 2: Shifting Cultural Power through Transparency, Artist Power, and Distributed Leadership -- Transparency -- Artist Power -- Distributed Leadership -- Barriers to Change -- Chapter 3: Creating an Artist Commons -- Case Studies: Gathering around Questions -- Aesthetic Equity -- Reorganizing Ourselves -- Radical Movements: Gender and Politics in Performance -- Case Study: Supporting Refusal -- The Community Engagement Residency -- Refusing Pressures for Clarity and Urgency -- Refusing Pressures for Visibility -- Chapter 4: Inviting Difficult Conversations -- Case Study: Dancing Around Race -- Chapter 5: Facilitating Hybrid Forms -- Case Studies -- Paramodernities -- dance of darkness: a performance, a conversation, a rehearsal for the future -- Chapter 6: Expanding the Canon -- Case Studies -- Have We Come a Long Way, Baby? -- Ten Artists Respond to "Locus" -- Signals from the West: Bay Area Artists in Conversation with Merce Cunningham at 100 -- Chapter 7: Reckoning with Our Aesthetics -- Curatorial and Funding Practices: Troubling the Singular Standard -- Choreographic Practice: Summoning Poetic Nerve: A Body in the World -- A Dialogic Process -- Ethical Abstraction -- Decolonized Rigor -- Valuing Pause -- Conclusion -- Grounding Politics in the Body: Prompts for Studio Practice -- The Bridge Project 2010-2020: An Annotated Archive -- Notes -- Acknowledgments -- Index of Artists Cited.
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|a Description based on print version record.
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| 610 |
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|a Bridge Project (Dance company)
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| 650 |
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|a Performing arts
|x Social aspects.
|2 fast
|0 (OCoLC)fst01057933
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| 650 |
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|a Decolonization in art.
|2 fast
|0 (OCoLC)fst01902986
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| 650 |
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|a Dance
|x Social aspects.
|2 fast
|0 (OCoLC)fst00887466
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| 650 |
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|a Decolonization in art.
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| 650 |
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|a Arts
|x Finance
|x Social aspects.
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| 650 |
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|a Performing arts
|x Social aspects.
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| 650 |
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|a Dance
|x Social aspects.
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| 655 |
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|a Electronic books.
|2 local
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| 710 |
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|a Bridge Project (Dance company),
|e contributor.
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| 710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/96034/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2021 Complete
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| 945 |
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|a Project MUSE - 2021 Global Cultural Studies
|
