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Projecting the World : Representing the "Foreign" in Classical Hollywood /
"The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analyzing a series of Hollywood films that illustrate moments of nuanced transnational engagement...
| Otros Autores: | , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Detroit :
Wayne State University Press,
[2017]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Classical Hollywood and transnational culture / Anna Cooper and Russell Meeuf
- Part 1. Islands and identity. Isles of fright : gothic tropics and island horror / Louis Bayman ; Charlie Chan's multicolored passport : territorial Hawaii and classical Hollywood's transnational "foreign" detective / Elizabeth Rawitsch ; "The jungle is my home" : questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller / Gábor Gergely ; Inhabiting the space of the other : Josef von Sternberg's Anatahan / Edward K. Chan
- Part 2: European vacations. America's travelogue romance with Italy, 1953-1969 / Ian Jarvie ; Prestige film aesthetics and Europeanized Hollywood in the 1950s / Chris Cagle ; "Our love is here to stay" : transatlantic relations in 1950s Hollywood musicals about Paris / Anna Cooper
- Part 3: Desert and savannah adventures. In the Foucauldian mirror : Budd Boetticher's Mexico and the United States in the 1950s / Saverio Giovacchini ; From the pampas to the jockey club : familiar exoticism in Hollywood's Argentina / Fernando Gabriel Pagnoni Berns, Mariana Zárate, and Patricia Haydee Vazquez ; John Wayne's Africa : European colonialism versus U.S. global leadership in Legend of the lost (1957) / Russell Meeuf.