Cargando…

Memory Effects : The Holocaust and the Art of Secondary Witnessing /

Publisher's description: Dora Apel analyzes the ways in which artists born after the Holocaust--whom she calls secondary witnesses--represent a history they did not experience first hand. She demonstrates that contemporary artists confront these atrocities in order to bear witness not to the Ho...

Descripción completa

Detalles Bibliográficos
Autor principal: Apel, Dora, 1952-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, N.J. : Rutgers University Press, 2002.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_95718
003 MdBmJHUP
005 20230905053208.0
006 m o d
007 cr||||||||nn|n
008 011012s2002 nju o 00 0 eng d
010 |z  2001048793 
020 |a 9780813530499 
020 |z 0813530490 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Apel, Dora,  |d 1952- 
245 1 0 |a Memory Effects :   |b The Holocaust and the Art of Secondary Witnessing /   |c Dora Apel. 
264 1 |a New Brunswick, N.J. :  |b Rutgers University Press,  |c 2002. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2002. 
300 |a 1 online resource (256 pages):   |b illustrations ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The artist as secondary witness -- A short history of Holocaust reception -- Picturing the vanished/transgressing the present -- The reinvention of memory -- Appropriating the testimonial form -- Landscape and the search for memory -- Fetishized Nazism and erotic fantasy -- The tattooed Jew. 
520 |a Publisher's description: Dora Apel analyzes the ways in which artists born after the Holocaust--whom she calls secondary witnesses--represent a history they did not experience first hand. She demonstrates that contemporary artists confront these atrocities in order to bear witness not to the Holocaust directly, but to its "memory effects" and to the implications of those effects for the present and future. Drawing on projects that employ a variety of unorthodox artistic strategies, the author provides a unique understanding of contemporary representations of the Holocaust. She demonstrates how these artists frame the past within the conditions of the present, the subversive use of documentary and the archive, the effects of the Jewish genocide on issues of difference and identity, and the use of representation as a form of resistance to historical closure. 
588 |a Description based on print version record. 
650 7 |a Holocaust, Jewish (1939-1945), in art.  |2 nli 
650 7 |a Jewish art.  |2 nli 
650 1 7 |a Holocaust.  |2 gtt 
650 1 7 |a Kunst.  |2 gtt 
650 1 7 |a Tweede generatie.  |2 gtt 
650 1 7 |a Herinneringen.  |2 gtt 
650 1 7 |a Joden.  |2 gtt 
650 7 |a Kunst  |2 gnd 
650 7 |a Judenvernichtung  |g Motiv  |2 gnd 
650 7 |a Jewish art.  |2 fast  |0 (OCoLC)fst01730479 
650 7 |a Holocaust, Jewish (1939-1945) in art.  |2 fast  |0 (OCoLC)fst00958922 
650 6 |a Holocauste, 1939-1945, dans l'art. 
650 6 |a Art juif. 
650 0 |a Holocaust, Jewish (1939-1945), in art. 
650 0 |a Jewish art. 
600 1 4 |a Wolin, Jeffrey. 
600 1 4 |a Vainshtein, Marina. 
600 1 4 |a Silas, Susan. 
600 1 4 |a Schreiber, Rachel. 
600 1 4 |a Marton, Pier. 
600 1 4 |a Levin, Mikael. 
600 1 4 |a Hartmann, Erich. 
600 1 4 |a Girson, Matthew. 
600 1 4 |a Friedman, James. 
600 1 4 |a Frenkel, Vera,  |d 1938- 
600 1 4 |a Brenner, Frederic. 
600 1 4 |a Attie, Shimon,  |d 1957- 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/95718/ 
945 |a Project MUSE - Custom Collection