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Blues Music in the Sixties : A Story in Black and White /
Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, this book shows the stakes when whites claim the right to play and live the blues. In the 1960s, within the larger context of the civil rights movement and the burgeoni...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, N.J. :
Rutgers University Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 090915s2010 nju o 00 0 eng d | ||
| 010 | |z 2009038367 | ||
| 020 | |a 9780813551746 | ||
| 020 | |z 0813551749 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Adelt, Ulrich, |d 1972- | |
| 245 | 1 | 0 | |a Blues Music in the Sixties : |b A Story in Black and White / |c Ulrich Adelt. |
| 264 | 1 | |a New Brunswick, N.J. : |b Rutgers University Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 0000 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (204 pages): |b illustrations ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Being black twice : crossover politics in B.B. King's music of the late 1960s -- Like I was a bear or somethin' : blues performances at the Newport Folk Festival -- Trying to find an identity : Eric Clapton's changing conception of blackness -- Germany gets the blues : race and nation at the American Folk Blues Festival -- Enough to make you want to sing the blues : Janis Joplin's life and music -- Resegregating the blues : race and authenticity in the pages of Living blues. | |
| 520 | |a Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, this book shows the stakes when whites claim the right to play and live the blues. In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness -- especially black masculinity -- remained a marker of authenticity. The author discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Blues |2 gnd | |
| 650 | 7 | |a Music and race. |2 fast |0 (OCoLC)fst01030486 | |
| 650 | 7 | |a Blues (Music) |2 fast |0 (OCoLC)fst00835056 | |
| 650 | 6 | |a Musique et race |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Blues |y 1961-1970 |x Histoire et critique. | |
| 650 | 0 | |a Music and race |z United States |x History and criticism. | |
| 650 | 0 | |a Blues (Music) |y 1961-1970 |x History and criticism. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/95713/ |
| 945 | |a Project MUSE - Custom Collection | ||