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Body Double : The Author Incarnate in the Cinema /

"Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscr...

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Detalles Bibliográficos
Autor principal: Fischer, Lucy
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Rutgers University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fischer, Lucy. 
245 1 0 |a Body Double :   |b The Author Incarnate in the Cinema /   |c Lucy Fischer. 
264 1 |a London :  |b Rutgers University Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2012. 
300 |a 1 online resource (304 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Includes filmography (p. 243-246). 
505 0 |a Introduction: the screen author wanted: dead or alive -- Typecasting the author -- Beyond adaptation: the writer as filmmaker -- The author at the dream factory: the screenwriter and the movies -- The authoress: textuality as sexuality -- Writing pain: the infirm author -- Word and image -- Corpus and oeuvre: authorship and the body -- Stealing beauty: the reader, the critic, and the appropriation of the authorial voice -- Afterword: Signs and meaning in the cinema. 
520 |a "Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers the gender, age, and mental or physical health of fictionalized writers; the dramatized interaction between artists and their audiences and critics; and the formal play of written words and nonverbal images. By analyzing such movies as Adaptation, Diary of a Country Priest, Naked Lunch, American Splendor, and Irezumi, Fischer tracks the parallels between film author and character, looking not for the creative figure who stands outside the text, but for the one who stands within it as corporeal presence and alter-ego."--Publisher's website 
588 |a Description based on print version record. 
650 7 |a Motion pictures and literature.  |2 fast  |0 (OCoLC)fst01027410 
650 7 |a Motion picture authorship.  |2 fast  |0 (OCoLC)fst01027122 
650 7 |a Authors in motion pictures.  |2 fast  |0 (OCoLC)fst00821748 
650 7 |a Auteur theory (Motion pictures)  |2 fast  |0 (OCoLC)fst00821628 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 6 |a Écrivains au cinema. 
650 6 |a Cinema et litterature. 
650 6 |a Politique des auteurs (Cinema) 
650 6 |a Cinema  |x Art d'ecrire. 
650 0 |a Authors in motion pictures. 
650 0 |a Motion pictures and literature. 
650 0 |a Auteur theory (Motion pictures) 
650 0 |a Motion picture authorship. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/95541/ 
945 |a Project MUSE - Custom Collection