The Phantom Holocaust : Soviet Cinema and Jewish Catastrophe /

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Despite the Soviet tendency of silencing the Holocaust, or at least its universalization and externalization in literature and in the arts, the Soviet film industry has produced a number of films dealing with the Holocaust, or at least mentioning it. In the representation of Nazi antisemitism and pe...

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Detalles Bibliográficos
Autor principal: Gershenson, Olga, 1969-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Rutgers University Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Sovjetunionen.
Förintelsen på film.
Judar på film.
Judar i filmen.
Förintelsen i filmen.
Motion picture industry > Soviet Union.
Motion pictures > Soviet Union.
Jews in motion pictures.
Holocaust, Jewish (1939-1945), in motion pictures.
Film
Judenvernichtung
Motion pictures.
Motion picture industry.
Holocaust, Jewish (1939-1945) in motion pictures.
Cinema > Industrie > URSS.
Cinema > URSS.
Juifs au cinema.
Holocauste, 1939-1945, au cinema.
Russland
Sowjetunion
Soviet Union.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Screening the Holocaust in the Soviet Union: Jews without the Holocaust and the Holocaust without the Jews
  • Soviet antifascist films of the 1930s: The earliest images of Nazi anti-semitism and concentration camps on world screens
  • The first phantom: I will live! (1942)
  • How a Soviet novel turned into a Jewish film: The first depiction of the Holocaust on Soviet screens, The unvanquished (1945)
  • The Holocaust on the thawing screen: From The fate of a man (1959) to Ordinary fascism (1965)
  • The Holocaust at the Lithuanian Film Studio: Gott mit uns (1961)
  • The Holocaust without the Jews: Steps in the night (1962) and other films
  • Kalik versus Goskino: Goodbye, boys! (1964/66)
  • Stalemate (1965) between the filmmaker and the censors
  • Kalik's last phantom: King Matt and the old doctor
  • The film that cost a career: Eastern corridor (1966)
  • Muslims instead of Musslmans: Sons of the fatherland (1968)
  • Commissar (1967/1988): The end of the thaw
  • An alternative track: Jewish soldiers fighting on Soviet screens
  • The last phantom
  • the first film: Our father (1966/1990)
  • Perestroika and beyond: Old wine in new bottles?
  • Conclusions.

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