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Shaping the Future of African American Film : Color-Coded Economics and the Story Behind the Numbers /

Through analysis of the production, funding, and content of thousands of films featuring African Americans in leading and supporting roles, Monica White Ndounou reveals the process of history and film development where race-based economics and the politics of distribution hamstring the making, the e...

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Detalles Bibliográficos
Autor principal: Ndounou, Monica White, 1976-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, N.J. : Rutgers University Press, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ndounou, Monica White,  |d 1976- 
245 1 0 |a Shaping the Future of African American Film :   |b Color-Coded Economics and the Story Behind the Numbers /   |c Monica White Ndounou. 
264 1 |a New Brunswick, N.J. :  |b Rutgers University Press,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2013. 
300 |a 1 online resource (296 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a Introduction: the color of Hollywood: black, white or green? -- Finding freedom on stage and screen. The plantation lives! -- Insurrection!: African American film's revolutionary potential through black theatre -- Black pathology sells: books and films -- Playing with fire: black women's literature/white box office -- A breaking the chains of history and genre -- It' not just business: color-coded economics and original films -- The paradox of branding, black star power, and box office politics -- Big business: hip hop gangsta films and black comedies -- Conclusion: the story behind the numbers. 
520 |a Through analysis of the production, funding, and content of thousands of films featuring African Americans in leading and supporting roles, Monica White Ndounou reveals the process of history and film development where race-based economics and the politics of distribution hamstring the making, the expression, and the creative freedom of films about, by, or for people of color. 
588 |a Description based on print version record. 
650 7 |a Finanzierung  |2 gnd 
650 7 |a Film  |2 gnd 
650 7 |a Schwarze  |g Motiv  |2 gnd 
650 7 |a Schwarze  |2 gnd 
650 7 |a Filmwirtschaft  |2 gnd 
650 7 |a Motion pictures  |x Economic aspects.  |2 fast  |0 (OCoLC)fst01027318 
650 7 |a Motion picture industry  |x Finance.  |2 fast  |0 (OCoLC)fst01027159 
650 7 |a African Americans in the motion picture industry.  |2 fast  |0 (OCoLC)fst00799738 
650 7 |a African Americans in motion pictures.  |2 fast  |0 (OCoLC)fst00799733 
650 7 |a African American motion picture producers and directors.  |2 fast  |0 (OCoLC)fst00799269 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Noirs americains au cinema. 
650 6 |a Producteurs et realisateurs de cinema noirs americains. 
650 6 |a Noirs americains dans l'industrie cinematographique. 
650 0 |a African Americans in motion pictures. 
650 0 |a African American motion picture producers and directors. 
650 0 |a Motion picture industry  |z United States  |x Finance. 
650 0 |a Motion pictures  |x Economic aspects  |z United States. 
650 0 |a African Americans in the motion picture industry. 
651 7 |a USA  |2 gnd 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/95310/ 
945 |a Project MUSE - Custom Collection