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|a McCrisken, Trevor,
|d 1968-
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|a American History and Contemporary Hollywood Film /
|c Trevor B. McCrisken and Andrew Pepper.
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|a New Brunswick, N.J. :
|b Rutgers University Press,
|c 2005.
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|a Baltimore, Md. :
|b Project MUSE,
|c 0000
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|c ©2005.
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300 |
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|a 1 online resource (240 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Lessons from Hollywood's American Revolution (Revolution ; The Patriot) -- Rattling the chains of history : Steven Spielberg's Amistad and "telling everyone's story" (Roots ; Amistad) -- Hollywood's Civil War dilemma : to imagine or unravel the nation? (Gettysburg ; Glory ; Ride with the devil ; Cold Mountain) -- Saving the good war : Hollywood and World War II in the post-Cold War world (Saving Private Ryan ; The thin red line ; U-571 ; Pearl Harbor) -- Oliver Stone and the decade of trauma (Platoon ; Born on the fourth of July ; Heaven and Earth ; JFK ; Nixon) -- From civil rights to black nationalism : Hollywood v. black America? (Panther ; Mississippi burning ; The hurricane ; Malcolm X ; Ali) -- Hollywood's post-Cold War history : the "righteousness" of American interventionism (Three kings ; Black Hawk down).
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|a Hollywood has always been fascinated by America's past, but never more so than in the past fifteen years. Bringing exciting new perspectives to how and why Hollywood has sought to repicture American history, this book offers analysis of more than twenty mainstream contemporary films, including The Patriot, Amistad, Glory, Ride with the Devil, Cold Mountain, Saving Private Ryan, The Thin Red Line, Pearl Harbor, U-571, Platoon, Born on the Fourth of July, Heaven and Earth, JFK, Nixon, Malcolm X, Ali, Black Hawk Down, and Three Kings. American History and Contemporary Hollywood Film is the first book to comprehensively explore the post-cold war period of filmmaking, and to navigate the complex ways that film mediates history-sometimes challenging or questioning, but more frequently reaffirming traditional interpretations. The authors consider why such films are becoming increasingly integral to the ambitions of a globally focused American film industry. Structured by historical periods, chapters cover significant events and eras such as the American Revolution, slavery and the Civil War, World War II, the sixties and seventies, civil rights and black nationalism, the Vietnam War, and post-cold war global conflicts.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Film
|x Motiv (Kunst)
|x Geschichte (Begriff)
|z USA
|z Hollywood
|x Geschichte.
|2 idszbz
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650 |
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7 |
|a Geschichte (Begriff)
|x Motiv (Kunst)
|x Film
|z USA
|z Hollywood
|x Geschichte.
|2 idszbz
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650 |
|
7 |
|a Historischer Film
|z USA
|z Hollywood
|x Geschichte.
|2 idszbz
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650 |
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7 |
|a Historischer Film
|2 gnd
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650 |
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7 |
|a Motion pictures and history.
|2 fast
|0 (OCoLC)fst01027408
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650 |
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7 |
|a Historical films.
|2 fast
|0 (OCoLC)fst00958120
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650 |
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6 |
|a Cinema et histoire.
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650 |
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6 |
|a Films historiques
|z États-Unis
|x Histoire et critique.
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650 |
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0 |
|a Motion pictures and history.
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650 |
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0 |
|a Historical films
|z United States
|x History and criticism.
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651 |
|
7 |
|a USA.
|2 swd
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651 |
|
7 |
|a Hollywood
|x Film
|x Motiv (Kunst)
|x Geschichte (Begriff)
|x Geschichte.
|2 idszbz
|
651 |
|
7 |
|a Hollywood
|x Historischer Film
|x Geschichte.
|2 idszbz
|
651 |
|
7 |
|a Los Angeles- Hollywood
|2 gnd
|
651 |
|
7 |
|a USA
|2 gnd
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
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|a Pepper, Andrew,
|d 1969-
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
|
0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/95285/
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945 |
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|a Project MUSE - Custom Collection
|