|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_95260 |
003 |
MdBmJHUP |
005 |
20230905053144.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
141003s2014 nju o 00 0 eng d |
020 |
|
|
|a 9780813563404
|
020 |
|
|
|z 0813563402
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
245 |
0 |
0 |
|a Screenwriting /
|c edited by Andrew Horton and Julian Hoxter.
|
264 |
|
1 |
|a New Brunswick, New Jersey :
|b Rutgers University Press,
|c [2014]
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 0000
|
264 |
|
4 |
|c ©[2014]
|
300 |
|
|
|a 1 online resource (192 pages):
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a Behind the silver screen ;
|v 8
|
505 |
0 |
|
|a Introduction / Julian Hoxter -- Machine to Screen: The Evolution toward Story, 1895-1928 / J. Madison Davis -- Classical Hollywood, 1928-1946 / Mark Eaton -- Postwar Hollywood, 1947-1967 / Jon Lewis -- The Auteur Renaissance, 1968-1980 / Kevin Alexander Boon -- The New Hollywood, 1980-1999 / Julian Hoxter -- The Modern Entertainment Marketplace, 2000-present / Mark J. Charney -- Academy Award Winners for Screenwriting.
|
520 |
|
|
|a "This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman's Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond."--
|c Provided by publisher
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|a Motion picture industry.
|2 fast
|0 (OCoLC)fst01027150
|
650 |
|
7 |
|a Motion picture authorship.
|2 fast
|0 (OCoLC)fst01027122
|
650 |
|
7 |
|a REFERENCE
|x Writing Skills.
|2 bisacsh
|
650 |
|
7 |
|a LANGUAGE ARTS & DISCIPLINES
|x Rhetoric.
|2 bisacsh
|
650 |
|
7 |
|a LANGUAGE ARTS & DISCIPLINES
|x Composition & Creative Writing.
|2 bisacsh
|
650 |
|
6 |
|a Cinema
|x Art d'ecrire
|x Histoire.
|
650 |
|
0 |
|a Motion picture industry
|z United States
|x History.
|
650 |
|
0 |
|a Motion picture authorship
|x History.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
|
|a Hoxter, Julian,
|e editor.
|
700 |
1 |
|
|a Horton, Andrew,
|d 1944-
|e editor.
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/95260/
|
945 |
|
|
|a Project MUSE - Custom Collection
|