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140428s2015 nju o 00 0 eng d |
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|z 2014014279
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|a 9780813564180
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|z 0813564182
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|a MdBmJHUP
|c MdBmJHUP
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|a Berlatsky, Noah,
|e author.
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|a Wonder Woman :
|b Bondage and Feminism in the Marston/Peter Comics, 1941-1948 /
|c Noah Berlatsky.
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|a New Brunswick, New Jersey :
|b Rutgers University Press,
|c [2015]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 0000
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|c ©[2015]
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300 |
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|a 1 online resource (264 pages):
|b illustrations ;
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Comics Culture
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500 |
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|a Machine generated contents note: Acknowledgments Introduction 1 The Pink Bondage Goo of Feminism 2 Castration in Paradise 3 Candy You Can Eat Conclusion: A Future Without Wonder Woman.
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|a Introduction -- The pink bondage goo of feminism -- Castration in Paradise -- Candy you can eat -- Conclusion: A future without Wonder Woman.
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|a "William Marston was an unusual man--a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston's many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Womancomics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television"--
|c Provided by publisher.
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588 |
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|a Description based on print version record.
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600 |
0 |
7 |
|a Wonder Woman
|c (Fictitious character)
|2 fast
|0 (OCoLC)fst01179180
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600 |
0 |
0 |
|a Wonder Woman
|c (Fictitious character)
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650 |
|
7 |
|a Women in literature.
|2 fast
|0 (OCoLC)fst01177912
|
650 |
|
7 |
|a Feminism in literature.
|2 fast
|0 (OCoLC)fst00922752
|
650 |
|
7 |
|a Comic books, strips, etc.
|2 fast
|0 (OCoLC)fst00869145
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650 |
|
7 |
|a Bondage (Sexual behavior) in literature.
|2 fast
|0 (OCoLC)fst01902590
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
|
650 |
|
7 |
|a COMICS & GRAPHIC NOVELS
|x Superheroes.
|2 bisacsh
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Comics & Graphic Novels.
|2 bisacsh
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650 |
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6 |
|a Bondage dans la litterature.
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650 |
|
6 |
|a Femmes dans la litterature.
|
650 |
|
6 |
|a Feminisme dans la litterature.
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650 |
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0 |
|a Comic books, strips, etc.
|z United States.
|
650 |
|
0 |
|a Bondage (Sexual behavior) in literature.
|
650 |
|
0 |
|a Women in literature.
|
650 |
|
0 |
|a Feminism in literature.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
|
7 |
|a Bandes dessinees.
|2 rvmgf
|
655 |
|
7 |
|a Comics (Graphic works)
|2 lcgft
|
655 |
|
7 |
|a Graphic novels.
|2 lcgft
|
655 |
|
7 |
|a Comics (Graphic works)
|2 fast
|0 (OCoLC)fst01921613
|
655 |
|
7 |
|a Graphic novels.
|2 fast
|0 (OCoLC)fst01726630
|
655 |
|
7 |
|a comic books.
|2 aat
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655 |
|
7 |
|a comic strips.
|2 aat
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655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/95192/
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945 |
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|a Project MUSE - Custom Collection
|