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Acting Male : Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood /
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, N.J. :
Rutgers University Press,
1994.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : I'm not really a man, but I play one in movies
- Part one : James Stewart, your average bisexual
- "Hollywood didn't invent him" : mythology and "naturalness"
- "Boy's stuff" and the surrendering gaze : Mr. Smith goes to Washington
- Gender trouble at the OK corral : Destry rides again
- Bombing missions, station wagons, and bisexuality : Stewart postwar
- Hitchcock and biopics
- Remembering Stewart
- Part two : Jack Nicholson : performance anxiety and the act of masculinity
- Hollywood "epic"
- What exactly is "easy"? : Nicholson at BBS
- "A staging of the father" : Nicholson and Oedipal narrative in The last detail and Chinatown
- Masculinity and hallucination : The shining
- Nicholson as the system : the 1980s and early 1990s
- Part three : Clint Eastwood : male violence, performed, disavowed, unforgiven
- Men with no names
- Authority of one : the Dirty Harry films
- "That buried world" : Eastwood and sexuality in The beguiled and Tightrope
- Acting and "manliness" : White hunter, black heart
- "Deserve's got nothing to do with it," or men with no names II : Unforgiven.