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Rude Citizenship : Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power /

"In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street d...

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Detalles Bibliográficos
Autor principal: Mann, Larisa Kingston (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : University of North Carolina Press, [2022]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Mann, Larisa Kingston,  |e author. 
245 1 0 |a Rude Citizenship :   |b Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power /   |c Larisa Kingston Mann. 
264 1 |a Chapel Hill :  |b University of North Carolina Press,  |c [2022] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©[2022] 
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520 |a "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Popular music  |x Social aspects.  |2 fast  |0 (OCoLC)fst01071460 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 7 |a Music trade.  |2 fast  |0 (OCoLC)fst01030641 
650 7 |a Copyright  |x Music.  |2 fast  |0 (OCoLC)fst00878748 
650 0 |a Copyright  |x Music  |z Jamaica. 
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650 0 |a Popular music  |z Jamaica  |x History and criticism. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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945 |a Project MUSE - 2022 Music 
945 |a Project MUSE - 2022 Latin American and Caribbean Studies 
945 |a Project MUSE - 2022 Complete