Cargando…
Gender and Voice in Medieval French Literature and Song /
"This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities"--
| Otros Autores: | , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Gainesville :
University Press of Florida,
2021.
|
| Edición: | 1. |
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction / Rachel May Golden and Katherine Kong
- Silence and Speech in Le Chevalier de la charrette / Katherine Kong
- It Takes Two: Considerations of Voice and Performance of the Male-Female Tenso / Tamara Bentley Caudill
- "Per vers o per chanso": Grammar, Gender, and Song in Aimeric de Peguilhan's Mangtas vetz sui enqueritz / Anne Adele Levitsky
- When Courtly Song Invades History: Lyricizing Blanche de Castile / Meghan Quinlan
- Gendered Grief, Temporality, and Reinvention in Two Northern French Crusade Songs / Rachel May Golden
- Real Men Preach: Constructions of Clerical Masculinity in the Context of Thirteenth-Century Crusade Preaching / Lydia M. Walker
- Chansons polies? Expressing Gendered Identity and Experience in the Ars antiqua Motet / Lisa Colton
- Jonete et Jolie: Polyphony and Gendered Voices in the Old French Motet / Anna Kathryn Grau
- "Et encore ne me puis taire": Voice, Gender, and Class in Christine de Pizan's Political Writings, 1405-1413 / Emily J. Hutchison
- Voiceover: Anne de Graville's Beau Romant, Boccaccio's Teseida, and Alain Chartier's Belle Dame sans mercy Daisy Delogu