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Gender and Voice in Medieval French Literature and Song /

"This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities"--

Detalles Bibliográficos
Otros Autores: Kong, Katherine (Editor ), Golden, Rachel May (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Gainesville : University Press of Florida, 2021.
Edición:1.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Gender and Voice in Medieval French Literature and Song /   |c edited by Rachel May Golden and Katherine Kong. 
250 |a 1. 
264 1 |a Gainesville :  |b University Press of Florida,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2021. 
300 |a 1 online resource (322 pages):   |b music, 1 facsimile (black and white) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction / Rachel May Golden and Katherine Kong -- Silence and Speech in Le Chevalier de la charrette / Katherine Kong -- It Takes Two: Considerations of Voice and Performance of the Male-Female Tenso / Tamara Bentley Caudill -- "Per vers o per chanso": Grammar, Gender, and Song in Aimeric de Peguilhan's Mangtas vetz sui enqueritz / Anne Adele Levitsky -- When Courtly Song Invades History: Lyricizing Blanche de Castile / Meghan Quinlan -- Gendered Grief, Temporality, and Reinvention in Two Northern French Crusade Songs / Rachel May Golden -- Real Men Preach: Constructions of Clerical Masculinity in the Context of Thirteenth-Century Crusade Preaching / Lydia M. Walker -- Chansons polies? Expressing Gendered Identity and Experience in the Ars antiqua Motet / Lisa Colton -- Jonete et Jolie: Polyphony and Gendered Voices in the Old French Motet / Anna Kathryn Grau -- "Et encore ne me puis taire": Voice, Gender, and Class in Christine de Pizan's Political Writings, 1405-1413 / Emily J. Hutchison -- Voiceover: Anne de Graville's Beau Romant, Boccaccio's Teseida, and Alain Chartier's Belle Dame sans mercy Daisy Delogu 
520 |a "This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Voice in literature.  |2 fast  |0 (OCoLC)fst01168771 
650 7 |a Gender identity in literature.  |2 fast  |0 (OCoLC)fst00939607 
650 7 |a French literature.  |2 fast  |0 (OCoLC)fst00934688 
650 7 |a LITERARY CRITICISM / Medieval  |2 bisacsh 
650 0 |a Voice in literature. 
650 0 |a Gender identity in literature. 
650 0 |a French literature  |y To 1500  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Kong, Katherine,  |e editor. 
700 1 |a Golden, Rachel May,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/94507/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Music