The Author as Cannibal : Rewriting in Francophone Literature as a Postcolonial Genre, 1969-1995 /
"In the first decades after the end of French rule, Francophone authors engaged in an exercise of rewriting narratives from the colonial literary canon. In The Author as Cannibal, Felisa Vergara Reynolds presents these textual revisions as figurative acts of cannibalism and examines how these l...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Lincoln :
University of Nebraska Press,
2022.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: List of Illustrations
- Acknowledgments
- Introduction: "Almost the Same, but Not Quite" / "Almost the Same, but Not White"; or, The Author as Cannibal
- 1. Aime Cesaire's Une tempête, Cannibalizing Shakespeare's The Tempest; or, Who's Laughing Now?
- 2. Boubacar Boris Diop's Le temps de Tamango, a Postmodern Cannibalization; or, Penetrating "Fortress Europe"
- 3. Assia Djebar's L'amour, la fantasia, a Historiographic Cannibalization; or, Dismantling/Decolonizing History
- 4. Maryse Conde's La migration des coeurs, Cannibalizing Emily Brontë's Wuthering Heights; or, a Sublime Phagocytosis
- Conclusion: The Future of Literary Cannibalism; or, Addressing the Lingering Questions
- Appendix: Interviews with Maryse Conde.