Cargando…
Realist Cinema as World Cinema : Non-cinema, Intermedial Passages, Total Cinema /
This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2020]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_93957 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053013.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 201125t20202020ne o 00 0 eng d | ||
| 020 | |a 9789048539215 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Nagib, Lúcia, |e auteur. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Realist Cinema as World Cinema : |b Non-cinema, Intermedial Passages, Total Cinema / |c Lúcia Nagib. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2020] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 0000 | |
| 264 | 4 | |c ©[2020] | |
| 300 | |a 1 online resource (300 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film Culture in Transition | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t List of Illustrations -- |t Acknowledgements -- |t Introduction -- |t Part I. Non-cinema -- |t 1. The Death of (a) Cinema -- |t 2. Jafar Panahi's Forbidden Tetralogy -- |t 3. Film as Death -- |t 4. The Blind Spot of History -- |t Part II. Intermedial Passages -- |t 5. The Geidōmono Genre and Intermedial Acting in Ozu and Mizoguchi -- |t 6. Intermedial History-Telling -- |t 7. Passages to Reality -- |t Part III. Towards Total Cinema -- |t 8. The Reality of Art -- |t 9. Historicising the Story through Film and Music -- |t 10. Total Cinema as Mode of Production -- |t Bibliography -- |t Index |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless andinherent in cinema from its origin. | ||
| 546 | |a En anglais. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Realism in motion pictures. |2 fast |0 (OCoLC)fst01091239 | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Realisme au cinema. | |
| 650 | 4 | |a World Cinema. | |
| 650 | 4 | |a National Cinemas. | |
| 650 | 4 | |a Intermediality. | |
| 650 | 4 | |a Film, Media and Communication. | |
| 650 | 4 | |a Cinematic Realism. | |
| 650 | 4 | |a Cinematic Authorship. | |
| 650 | 0 | |a Realism in motion pictures. | |
| 655 | 7 | |a Livres numeriques. |2 rvmgf | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/93957/ |