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musev2_89790 |
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20230905052959.0 |
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101109s2008 nyu o 00 0 eng d |
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|a 9781580467117
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|z 9781580462709
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|a (OCoLC)680036275
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Schuijer, Michiel.
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|a Analyzing Atonal Music :
|b Pitch-Class Set Theory and Its Contexts /
|c Michiel Schuijer.
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264 |
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|a Rochester, NY :
|b University of Rochester Press,
|c 2008.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©2008.
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300 |
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|a 1 online resource (328 pages):
|b illustrations, music
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Eastman studies in music,
|x 1071-9989 ;
|v [v. 60]
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|a Pitch-class set theory : an overture -- Objects and entities -- Operations -- Equivalence -- Similarity -- Inclusion -- "Blurring the boundaries" : analysis, performance, and history -- Mise-en-scene.
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520 |
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|a "For the past forty years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allen Forte, Milton Babbitt, and others. It has also been the subject of sometimes furious debates between music theorists and historically oriented musicologists, debates that only helped heighten its profile." "Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts combines thorough discussions of musical concepts with an engaging historical narrative. Pitch-class theory is treated here as part of the musical and cultural landscape of the United States. The theory's remarkable rise to authority is related to the impact of the computer on the study of music in the 1960s, and to the American university in its double role as protector of high culture and provider of mass education."--Jacket
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|a Description based on print version record.
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650 |
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7 |
|a Musikalische Analyse
|2 gnd
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650 |
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7 |
|a Atonalität
|2 gnd
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650 |
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7 |
|a Pitch class set theory
|2 gnd
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650 |
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7 |
|a Atonale Musik
|2 gnd
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650 |
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7 |
|a Set theory.
|2 fast
|0 (OCoLC)fst01113587
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650 |
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7 |
|a Musical pitch.
|2 fast
|0 (OCoLC)fst01030791
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650 |
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7 |
|a Musical analysis
|x Data processing.
|2 fast
|0 (OCoLC)fst01030698
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650 |
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7 |
|a Computer composition (Music)
|2 fast
|0 (OCoLC)fst00872055
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650 |
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7 |
|a Atonality.
|2 fast
|0 (OCoLC)fst00820670
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650 |
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7 |
|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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650 |
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7 |
|a pitch (acoustics concept)
|2 aat
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650 |
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6 |
|a Theorie des ensembles.
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650 |
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|a Diapason.
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650 |
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6 |
|a Composition (Musique) par ordinateur.
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650 |
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|a Atonalite.
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650 |
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6 |
|a Analyse musicale
|x Informatique.
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650 |
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0 |
|a Set theory.
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650 |
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0 |
|a Musical pitch.
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650 |
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0 |
|a Computer composition (Music)
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650 |
|
0 |
|a Atonality.
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650 |
|
0 |
|a Musical analysis
|x Data processing.
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/89790/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2023 Annual Backfile - Unpurchased
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