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Music Speaks : On the Language of Opera, Dance, and Song /

Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of musi...

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Detalles Bibliográficos
Autor principal: Albright, Daniel, 1945-2015
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2009.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Albright, Daniel,  |d 1945-2015. 
245 1 0 |a Music Speaks :   |b On the Language of Opera, Dance, and Song /   |c Daniel Albright. 
264 1 |a Rochester, NY :  |b University of Rochester Press,  |c 2009. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2009. 
300 |a 1 online resource (248 pages):   |b illustrations, music 
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490 0 |a Eastman studies in music,  |x 1071-9989 
505 0 |a Music's Pentecost, music's stupidity -- Heine and the composers -- The diabolical Senta -- Les Troyens : the undoing of opera -- Far sounds in Zemlinsky and Schreker -- Butchering Moses -- Elliott Carter and poetry : listening to, listening through -- Sophoclean opera -- Belletristic music in the twentieth century -- Golden calves : the role of dance in opera -- Elephant swan space grace. 
520 |a Explores the meaning[s] of music, the most intricate and significant language invented by our culture. From Daniel Albright, author of Musicking Shakespeare and Berlioz's Semi-Operas, comes a collection of essays on music and on dance, probing the problems of articulating the meaning[s] of music; the larger question of how music and language interact; how text-setting highlights certain areas of meter, theme, or ironic undertone, and leaves others in darkness; how a musical composition can behave as a critique of a previous composition; and how one might rehabilitate certain underappreciated or much-scorned figures, such as Meyerbeer, by showing that the very terms of invective used against them can be seen, from another angle, as an indication of what is exciting in their work. Albright shows that music history has an aesthetic of its own, and how music history interacts with intellectual history (from Rousseau to Paul de Man). By abutting music against literature and painting, and by juxtaposing the musics of different centuries, Albright frames a particular work, isolating what is arresting and important in it. The essays range widely, but they rarely stray far from opera, for the opera house is the venue where the performances speak the most intricate and significant language invented by our culture -- a language that speaks in music, words, pictures, and light. Daniel Albright teaches courses in the English, ComparativeLiterature, and Music departments at Harvard University. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Literatur  |2 gnd 
650 7 |a Musik  |2 gnd 
650 7 |a Kunstlied  |2 gnd 
650 7 |a Darstellende Kunst  |2 gnd 
650 7 |a Songs.  |2 fast  |0 (OCoLC)fst01126120 
650 7 |a Opera.  |2 fast  |0 (OCoLC)fst01046145 
650 7 |a Music and literature.  |2 fast  |0 (OCoLC)fst01030479 
650 7 |a Dance.  |2 fast  |0 (OCoLC)fst00887402 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Appreciation.  |2 bisacsh 
650 6 |a Danse  |x Histoire. 
650 6 |a Musique et litterature. 
650 6 |a Chansons  |x Histoire et critique. 
650 0 |a Dance  |x History. 
650 0 |a Music and literature. 
650 0 |a Songs  |x History and criticism. 
650 0 |a Opera. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/89776/ 
945 |a Project MUSE - Custom Collection