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The Twelve-Tone Music of Luigi Dallapiccola /

"Luigi Dallapiccola was one of twentieth century's most accomplished and admired composers. His music incorporated many of the twelve-tone techniques developed by Arnold Schoenberg, Alban Berg, and Anton von Webern, but blended their expressionistic impulses with an Italianate sense of lyr...

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Detalles Bibliográficos
Autor principal: Alegant, Brian, 1960-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2010.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Alegant, Brian,  |d 1960- 
245 1 4 |a The Twelve-Tone Music of Luigi Dallapiccola /   |c Brian Alegant. 
264 1 |a Rochester, NY :  |b University of Rochester Press,  |c 2010. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2010. 
300 |a 1 online resource (336 pages):   |b music 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Eastman studies in music,  |x 1071-9989 
505 0 |a 1 On the Twelve-Tone Road (1942-1950) -- 2 Aphorism and the Appropriation of Webernian Techniques (1950-1955) -- 3 The Apex of the Schoenbergian and Webernian Influence (1956-1960) -- 4 Consolidation and Synthesis (1960-1972) -- Part Two More Detailed Analyses -- 5 Dallapiccola's Idiosyncratic Approach to "Octatonic Serialism" -- 6 An Mathilde: An Unsung Cantata -- 7 Parole di San Paolo: "A Performance under a Glass Bell." 
520 |a "Luigi Dallapiccola was one of twentieth century's most accomplished and admired composers. His music incorporated many of the twelve-tone techniques developed by Arnold Schoenberg, Alban Berg, and Anton von Webern, but blended their expressionistic impulses with an Italianate sense of lyricism. Brian Alegant's The Twelve-Tone Music of Luigi Dallapiccola traces the evolution of Dallapiccola's compositional technique over a thirty-year period (1942-74). Using both historical and music-analytical lenses, this book documents the influences of Webern and Schoenberg, highlights Dallapiccola's innovative handling of harmony, form, and text setting, and sheds light on several works that have been virtually ignored. Alegant's book will be a crucial source of insights for scholars and other readers interested in twentieth-century music. Brian Alegant is professor of music theory at the Oberlin College Conservatory." 
588 |a Description based on print version record. 
600 1 7 |a Dallapiccola, Luigi,  |d 1904-1975  |2 fast  |0 (OCoLC)fst00056091 
600 1 0 |a Dallapiccola, Luigi,  |d 1904-1975  |x Criticism and interpretation. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Composers & Musicians.  |2 bisacsh 
650 7 |a MUSIC  |x Individual Composer & Musician.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/89763/ 
945 |a Project MUSE - Custom Collection