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Fruits of the Cross : Passiontide Music Theater in Habsburg Vienna /

"In this first detailed study of seventeenth-century sepolcri, semi-staged sacred operas performed on Holy Thursday and Good Friday, Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, where music and ritual combined on the stage to produce a thoroughly original...

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Detalles Bibliográficos
Autor principal: Kendrick, Robert L. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2019]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Fruits of the Cross :   |b Passiontide Music Theater in Habsburg Vienna /   |c Robert L. Kendrick. 
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505 0 |a Passion and theater -- Devotional strategies -- Social others and selves -- Music and its affects -- Epilogue : the power of the cross -- Appendix 1 : Checklist of sepolcri, 1660-1711 -- Appendix 2 : The preserved repertory, 1660-1705, and its possible tonalities -- Appendix 3 : Possible Burnacini drawings for sepolcri. 
520 |a "In this first detailed study of seventeenth-century sepolcri, semi-staged sacred operas performed on Holy Thursday and Good Friday, Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, where music and ritual combined on the stage to produce a thoroughly original art form that would impact music and performance across early modern Europe. Through the use of allegorical characters, the messages in the plays ranged from the devotionally intense to the theologically complex to the ugly anti-Jewish and played a unique role in making Passion piety both articulate and relevant to wider cultural concerns. Beyond the slightly worn historiographic generalizations on Habsburg religiosity (pietas Austriaca), Fruits of the Cross suggests that understanding the sepolcri has implications for ritual theater in early modern Europe, the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding"--Provided by publisher. 
588 |a Description based on print version record. 
600 3 7 |a Habsburg, House of.  |2 fast  |0 (OCoLC)fst00214002 
600 3 6 |a Maison de Habsbourg  |x Histoire  |y 17e siecle. 
600 3 0 |a Habsburg, House of  |x History  |y 17th century. 
650 7 |a Sepolcri.  |2 fast  |0 (OCoLC)fst01112791 
650 7 |a Dramatic music.  |2 fast  |0 (OCoLC)fst00897546 
650 7 |a HISTORY  |z Europe  |x Western.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 6 |a Musique de scene  |z Europe centrale  |y 17e siecle  |x Histoire et critique. 
650 6 |a Sepolcri  |z Autriche  |z Vienne  |y 17e siecle  |x Histoire et critique. 
650 0 |a Dramatic music  |z Europe, Central  |y 17th century  |x History and criticism. 
650 0 |a Sepolcri  |z Austria  |z Vienna  |y 17th century  |x History and criticism. 
651 7 |a Central Europe.  |2 fast  |0 (OCoLC)fst01244544 
651 7 |a Austria  |z Vienna.  |2 fast  |0 (OCoLC)fst01204516 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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