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MdBmJHUP |
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20230905052858.0 |
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131017t20142014mnu o 00 0 eng d |
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|z 2013040099
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|a 9781452941233
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|z 9780816687381
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Greaney, Patrick.
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|a Quotational Practices :
|b Repeating the Future in Contemporary Art /
|c Patrick Greaney.
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264 |
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|a Minneapolis :
|b University of Minnesota Press,
|c [2014]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 0000
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|c ©[2014]
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300 |
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|a 1 online resource (224 pages):
|b illustrations (some color) ;
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The transformation of authorship -- Insinuation : detournement and gender in Guy Debord -- Marcel Broodthaers, an artist in quotation marks -- The aesthetics of administration : Heimrad Bäcker's Transcript -- Making history : Sharon Hayes, Vanessa Place, and Glenn Ligon.
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520 |
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|a "Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. Patrick Greaney reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, Quotational Practices shows how artists and writers use quotation not to undermine authorship and originality, but to answer questions at the heart of twentieth-century philosophies of history. Greaney argues that quotation is a technique employed by art and philosophy to build ties to the past and to possible futures. By exploring quotation's links to gender, identity, and history, he offers new approaches to works by some of the most influential modern and contemporary artists, writers, and philosophers, including Walter Benjamin, Guy Debord, Michel Foucault, Marcel Broodthaers, Glenn Ligon, Sharon Hayes, and Vanessa Place. Ultimately, Quotational Practices reveals innovative perspectives on canonical philosophical texts as well as art and literature in a wide range of genres and mediums--from concrete poetry and the artist's book to performance, painting, and video art"--Publisher's description.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Conceptual art.
|2 nli
|
650 |
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7 |
|a Arts, Modern
|y 21st century.
|2 nli
|
650 |
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7 |
|a Arts, Modern
|y 20th century.
|2 nli
|
650 |
|
7 |
|a Appropriation (Art)
|2 nli
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650 |
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7 |
|a Quotation in literature.
|2 nli
|
650 |
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7 |
|a Quotation in literature.
|2 fast
|0 (OCoLC)fst01086128
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650 |
|
7 |
|a Arts, Modern
|x Themes, motives.
|2 fast
|0 (OCoLC)fst00818159
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650 |
|
7 |
|a Appropriation (Art)
|2 fast
|0 (OCoLC)fst00811824
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650 |
|
6 |
|a Arts
|y 21e siecle
|x Themes, motifs.
|
650 |
|
6 |
|a Arts
|y 20e siecle
|x Themes, motifs.
|
650 |
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6 |
|a Appropriation (Art)
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650 |
|
6 |
|a Citation dans la litterature.
|
650 |
|
0 |
|a Arts, Modern
|y 21st century
|x Themes, motives.
|
650 |
|
0 |
|a Arts, Modern
|y 20th century
|x Themes, motives.
|
650 |
|
0 |
|a Appropriation (Art)
|
650 |
|
0 |
|a Quotation in literature.
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/86609/
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945 |
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|a Project MUSE - Custom Collection
|