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Edgar G. Ulmer : A Filmmaker at the Margins /

Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German emigre directors-Billy Wilder, Otto Preminger, Fred Zinnemann,...

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Detalles Bibliográficos
Autor principal: Isenberg, Noah William
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Edgar G. Ulmer :   |b A Filmmaker at the Margins /   |c Noah Isenberg. 
264 1 |a Berkeley :  |b University of California Press,  |c 2013. 
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490 0 |a Weimar and now: German cultural criticism 
505 0 |a Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript. 
520 |a Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German emigre directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F.W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker. 
588 |a Description based on print version record. 
600 1 7 |a Ulmer, Edgar G.  |q (Edgar George),  |d 1904-1972  |2 fast  |0 (OCoLC)fst00307261 
600 1 0 |a Ulmer, Edgar G.  |q (Edgar George),  |d 1904-1972. 
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