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Wolf Tracks : Popular Art and Re-Africanization in Twentieth-Century Panama
Popular art is a masculine and working-class genre, associated with Panama's black population. Its practitioners are self-taught, commercial painters, whose high-toned designs, vibrant portraits, and landscapes appear in cantinas, barbershops, and restaurants. The red devil buses are popular ar...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jackson :
University Press of Mississippi,
2012.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_86347 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905052845.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 120503s2012 msu o 00 0 eng d | ||
| 020 | |a 9781617032448 | ||
| 020 | |z 9781617032431 | ||
| 020 | |z 1617032433 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Szok, Peter A., |d 1968- | |
| 245 | 1 | 0 | |a Wolf Tracks : |b Popular Art and Re-Africanization in Twentieth-Century Panama |
| 264 | 1 | |a Jackson : |b University Press of Mississippi, |c 2012. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 0000 | |
| 264 | 4 | |c ©2012. | |
| 300 | |a 1 online resource (320 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Caribbean Studies Series | |
| 505 | 0 | |a Cover; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; 1. From Whitening to Mestizaje: The Panamanian Official Identity, 1821-1941; 2. Balboa Meets Anayansi, 1934; 3. Rumba and the Rise of Black Proletariat Art, 1941-1990; 4. "100% Prity": The Aesthetics of Panamanian Popular Art; 5. Chombalízate: Re-Africanization of Sports, Music, and Politics, 1990-2010; APPENDIX: The Wolf Pack; NOTES; BIBLIOGRAPHY; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. | |
| 520 | |a Popular art is a masculine and working-class genre, associated with Panama's black population. Its practitioners are self-taught, commercial painters, whose high-toned designs, vibrant portraits, and landscapes appear in cantinas, barbershops, and restaurants. The red devil buses are popular art's most visible manifestation. The old school buses are imported from the United States and provide public transportation in Colón and Panama City. Their owners hire the artists to attract customers with eye-catching depictions of singers and actors, brassy phrases, and vivid representations of both loc. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a National characteristics, Panamanian. |2 fast |0 (OCoLC)fst01033489 | |
| 650 | 7 | |a Folk artists. |2 fast |0 (OCoLC)fst00928633 | |
| 650 | 7 | |a Folk art, Black. |2 fast |0 (OCoLC)fst00928620 | |
| 650 | 7 | |a Civilization |x African influences. |2 fast |0 (OCoLC)fst00862900 | |
| 650 | 7 | |a Civilization. |2 fast |0 (OCoLC)fst00862898 | |
| 650 | 7 | |a Artists, Black. |2 fast |0 (OCoLC)fst00817711 | |
| 650 | 7 | |a HISTORY |z Latin America |z Central America. |2 bisacsh | |
| 650 | 0 | |a Artists, Black |z Panama. | |
| 650 | 0 | |a Folk artists |z Panama. | |
| 650 | 0 | |a Folk art, Black |z Panama |x History |y 20th century. | |
| 650 | 0 | |a National characteristics, Panamanian. | |
| 651 | 7 | |a Panama. |2 fast |0 (OCoLC)fst01205585 | |
| 651 | 0 | |a Panama |x Civilization |y 20th century. | |
| 651 | 0 | |a Panama |x Civilization |x African influences. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/86347/ |
| 945 | |a Project MUSE - Custom Collection | ||