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Reggae, Rastafari, and the Rhetoric of Social Control /
Who changed Bob Marley's famous peace-and-love anthem into "Come to Jamaica and feel all right"? When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest m...
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jackson :
University Press of Mississippi,
2002.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | MdBmJHUP | ||
| 005 | 20230905052841.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 040517s2002 msu o 00 0 eng d | ||
| 010 | |z 2002001734 | ||
| 020 | |a 9781604730388 | ||
| 020 | |z 9781578064892 | ||
| 020 | |z 1578064899 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a King, Stephen A., |d 1964- |e author. | |
| 245 | 1 | 0 | |a Reggae, Rastafari, and the Rhetoric of Social Control / |c by Stephen A. King ; with contributions by Barry T. Bays III and P. Renee Foster. |
| 264 | 1 | |a Jackson : |b University Press of Mississippi, |c 2002. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 0000 | |
| 264 | 4 | |c ©2002. | |
| 300 | |a 1 online resource: |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | 0 | |g PART ONE (1959-1971) -- |t Ska and the roots of Rastafarian musical protest -- |t Rocksteady, the Rude Boy, and the political awakening of Rastafari -- |t Early reggae, Black power, and the politicization of Rastafari -- |t Jamaica Labour Party's "policy of the beast" : the rhetoric of social control strategies -- |g PART TWO (1972-1980) -- |t International reggae : popularization and polarization of Rastafari -- |t Michael Manley and the People's National Party's co-optation of the Rastafari and reggae. |
| 520 | |a Who changed Bob Marley's famous peace-and-love anthem into "Come to Jamaica and feel all right"? When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica's po. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Reggae music. |2 fast |0 (OCoLC)fst01093058 | |
| 650 | 7 | |a Rastafari movement. |2 fast |0 (OCoLC)fst01090216 | |
| 650 | 7 | |a Music |x Social aspects. |2 fast |0 (OCoLC)fst01030444 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Reggae. |2 bisacsh | |
| 650 | 6 | |a Rastafarisme |z Jamaïque |x Histoire. | |
| 650 | 6 | |a Musique |x Aspect social |z Jamaïque. | |
| 650 | 6 | |a Reggae |z Jamaïque |x Histoire et critique. | |
| 650 | 0 | |a Rastafari movement |z Jamaica |x History. | |
| 650 | 0 | |a Music |x Social aspects |z Jamaica. | |
| 650 | 0 | |a Reggae music |z Jamaica |x History and criticism. | |
| 651 | 7 | |a Jamaica. |2 fast |0 (OCoLC)fst01211575 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Foster, P. Renee. | |
| 700 | 1 | |a Bays, Barry T. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/86280/ |
| 945 | |a Project MUSE - Custom Collection | ||