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Through a Glass Darkly : Reflections on Personal Identity in Early America

Detalles Bibliográficos
Autor principal: Hoffman, Ronald
Otros Autores: Cu, Omohundro Institute of Early American History and, Teute, Fredrika J., Sobel, Mechal
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : Omohundro Institute of Early American History & Culture, 1997.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Half Title
  • Title
  • Copyright
  • Contents
  • Preface
  • Introduction: In Search of a Metaphor
  • PART I: HISTORIES OF SELF
  • Histories of Self
  • The Cast of His Countenance"": Reading Andrew Montour
  • Communal Definitions of Gendered Identity in Seventeenth-Century English America
  • Making History: The Force of Public Opinion and the Last Years of Slavery in Revolutionary Massachusetts
  • The Unhappy Stephen Arnold"": An Episode of Murder and Penitence in the Early Republic
  • The Suicide of a Notary: Language, Personal Identity, and Conquest in Colonial New York
  • PART II: TEXTS OF SELF
  • Texts of Self
  • The Revolution in Selves: Black and White Inner Aliens
  • Stories and Constructions of Identity: Folk Tellings and Diary Inscriptions in Revolutionary Virginia
  • Hannah Barnard's Cupboard: Female Property and Identity in Eighteenth-Century New England
  • Colonial Self-Fashioning: Paradoxes and Pathologies in the Construction of Genteel Identity in Eighteenth-Century America
  • PART III: REFLECTIONS ON DEFINING SELF
  • Reflections on Defining Self
  • The Self Shaped and Misshaped: The Protestant Temperament Reconsidered
  • I Have Suffer'd Much Today"": The Defining Force of Pain in Early America
  • Although I am dead, I am not entirely dead. I have left a second of myself"": Constructing Self and Persons on the Middle Ground of Early America
  • An Inner Diaspora: Black Sailors Making Selves
  • Index
  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • Y
  • Z
  • Notes on the Contributors