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The Mountains in Art History /
The first English-language study of mountains as subject matter and inspiration for the visual arts.
| Otros Autores: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown, CT :
Wesleyan University Press,
2017.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Title Page; Copyright Page; Introduction: "Coming Round" Again
- Peter Mark; Mountains in Italian Renaissance Depictions of "The Sacrifice of Isaac"
- Penny Snyder; Analyzing Frederic Church's The Heart of the Andes with Joseph Addison's Neoclassical and Prototypical Theory of Artistic Criticism
- Matthew Kim; Wordsworth's Alps
- Elizabeth Deatrick; John Ruskin, Turner, and the Romantic Pursuit of Truth
- Avery Chase; The Power of the Sublime in the Mountains
- Page Nelson; The Intersection of Alpine Passes and Landscape Painting
- Gordon Pignato.
- Terrible Beauty: Artistic Representations of the White Mountains in the Nineteenth Century
- Peter HelmanThanatopsis: A Vision of Change in Nineteenth Century America
- Penny Snyder; The South American Mountains of Alexander von Humboldt and Frederic Edwin Church
- Elizabeth Deatrick; From Postcards to Watercolors: Emil Nolde (1867-1956) and the Medium of the Mountains
- William Wiebe; Arnold Fanck and German Bergfilm
- Jackson Sabes; This Wild Country: Jack Kerouac's The Dharma Bums and the Mountains
- Catherine Walsh; King Ortler; Climbing as Experience, a photo essay
- Peter Mark.
- Appendix: The Course Syllabus
- ARHA 296: The Mountains and Art HistoryAcknowledgements.