Moving Pictures and Renaissance Art History /
Film, like the printed imagery inaugurated during the Renaissance, spread ideas -- not least the idea of the power of visual art -- across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of fi...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Baltimore, Maryland :
Project Muse,
2021
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Colección: | Film culture in transition.
Book collections on Project MUSE. |
Temas: | |
Acceso en línea: | Texto completo |
MARC
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020 | |a 9789048551620 | ||
035 | |a (OCoLC)1273427690 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
050 | 4 | |a N72.M6 |b E556 2021 | |
082 | 0 | |a 700.9 |2 23 | |
100 | 1 | |a Emison, Patricia A., |e author. | |
245 | 1 | 0 | |a Moving Pictures and Renaissance Art History / |c Patricia Emison. |
264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2021 | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
264 | 4 | |c ©2021 | |
300 | |a 1 online resource (642 pages). | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a Film culture in transition | |
500 | |a Issued as part of book collections on Project MUSE. | ||
504 | |a Includes bibliographical references (pages [513]-536) and index. | ||
505 | 0 | |a The new and the old in the art of cinema -- The machine aesthetic -- Competing with text -- After Eve. | |
506 | |a Access restricted to authorized users and institutions. | ||
520 | |a Film, like the printed imagery inaugurated during the Renaissance, spread ideas -- not least the idea of the power of visual art -- across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, between the demands of narrative and those of visual composition, spurred new ways of addressing the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates are part of the story told here. | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Renaissance art | |
650 | 0 | |a Motion pictures |x History. | |
650 | 0 | |a Art and motion pictures. | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse, |e distributor. | |
776 | 1 | 8 | |i Print version: |z 9789463724036 |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Film culture in transition. | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/85673/ |
945 | |a Project MUSE - Custom Collection | ||
945 | |a Project MUSE - 2021 Complete | ||
945 | |a Project MUSE - 2021 Film, Theater and Dance |