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Moving Pictures and Renaissance Art History /

Film, like the printed imagery inaugurated during the Renaissance, spread ideas -- not least the idea of the power of visual art -- across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of fi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Emison, Patricia A. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2021
Colección:Film culture in transition.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Emison, Patricia A.,  |e author. 
245 1 0 |a Moving Pictures and Renaissance Art History /   |c Patricia Emison. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2021 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2021 
300 |a 1 online resource (642 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Film culture in transition 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [513]-536) and index. 
505 0 |a The new and the old in the art of cinema -- The machine aesthetic -- Competing with text -- After Eve. 
506 |a Access restricted to authorized users and institutions. 
520 |a Film, like the printed imagery inaugurated during the Renaissance, spread ideas -- not least the idea of the power of visual art -- across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, from the 1920s to the mid-1960s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, between the demands of narrative and those of visual composition, spurred new ways of addressing the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates are part of the story told here. 
588 |a Description based on print version record. 
650 0 |a Renaissance art 
650 0 |a Motion pictures  |x History. 
650 0 |a Art and motion pictures. 
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710 2 |a Project Muse.  |e distributor 
830 0 |a Film culture in transition. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/85673/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Film, Theater and Dance