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Purity Is a Myth : The Materiality of Concrete Art from Argentina, Brazil, and Uruguay /
"Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
| Otros Autores: | , , , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Los Angeles :
Getty Research Institute,
[2021]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk
- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay
- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario
- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García
- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada
- Part II. Generative Processes in Concrete Art
- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small
- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman
- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek
- Part III. Concretizing Color
- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee
- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Helio Oiticica / Mari Carmen Ramírez and Corina E. Rogge
- The Adventure of Color in Brazilian Art: Aluísio Carvão, Helio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio
- Part IV. Concrete Art on Paper
- Printing Invention: Artwork, Project, or Device / Isabel Plante
- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert
- Part V. Analyzing Concrete Art: Technical Overviews
- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral
- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes
- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte
- Part VI. The Reception of Concrete Art in Museums and Academia
- A History of the Field / Aleca Le Blanc
- Part VII. Chronologies
- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio
- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa.