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Purity Is a Myth : The Materiality of Concrete Art from Argentina, Brazil, and Uruguay /
"Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"--
| Otros Autores: | , , , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Los Angeles :
Getty Research Institute,
[2021]
|
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_85227 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905052746.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 210112t20212021cau o 00 0 eng d | ||
| 010 | |z 2021001297 | ||
| 020 | |a 9781606067246 | ||
| 020 | |z 9781606067239 | ||
| 035 | |a (OCoLC)1235901834 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Purity Is a Myth : |b The Materiality of Concrete Art from Argentina, Brazil, and Uruguay / |c edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk. |
| 264 | 1 | |a Los Angeles : |b Getty Research Institute, |c [2021] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©[2021] | |
| 300 | |a 1 online resource (304 pages): |b illustrations ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Issues & debates | |
| 505 | 0 | |a Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Helio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Helio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa. | |
| 520 | |a "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Concrete art. |2 fast |0 (OCoLC)fst00874237 | |
| 650 | 7 | |a Art, Uruguayan. |2 fast |0 (OCoLC)fst00816991 | |
| 650 | 7 | |a Art, Brazilian. |2 fast |0 (OCoLC)fst00816034 | |
| 650 | 7 | |a Art, Argentine. |2 fast |0 (OCoLC)fst00815940 | |
| 650 | 0 | |a Art, Uruguayan |y 20th century. | |
| 650 | 0 | |a Art, Brazilian |y 20th century. | |
| 650 | 0 | |a Art, Argentine |y 20th century. | |
| 650 | 0 | |a Concrete art |z Uruguay. | |
| 650 | 0 | |a Concrete art |z Brazil. | |
| 650 | 0 | |a Concrete art |z Argentina. | |
| 651 | 7 | |a Uruguay. |2 fast |0 (OCoLC)fst01202667 | |
| 651 | 7 | |a Brazil. |2 fast |0 (OCoLC)fst01206830 | |
| 651 | 7 | |a Argentina. |2 fast |0 (OCoLC)fst01205614 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Perchuk, Andrew, |e editor. | |
| 700 | 1 | |a Learner, Tom, |e editor. | |
| 700 | 1 | |a Gottschaller, Pia, |e editor. | |
| 700 | 1 | |a Gilbert, Zanna, |d 1980- |e editor. | |
| 710 | 2 | |a Getty Research Institute, |e issuing body. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/85227/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2021 Complete | ||
| 945 | |a Project MUSE - 2021 Art and Architecture | ||