Historical Anthology of Music by Women /

This collection of 51 works by 37 composers is the first compendium of its kind. The compositions, spanning eleven centuries of Western art music, are vital and important and illustrate advanced compositional trends of their age. The earliest works reproduced are two Byzantine chants by Kassia (fl....

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Detalles Bibliográficos
Otros Autores: Archer, Violet, Musgrave, Thea, Chaminade, Cecile, 1857-1944, Farrenc, Louise, 1804-1875, Schumann, Clara, 1819-1896, Smyth, Ethel, 1858-1944, Hensel, Fanny Mendelssohn, 1805-1847, Caccini, Francesca, 1587-approximately 1640, Briscoe, James R., 1949-
Formato: Electrónico Partituras Libro
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 1987.
Colección:Book collections on Project MUSE.
Temas:
Women composers > Biography.
Women composers > United States > Scores.
Women composers > Europe > Scores.
Music.
Europe.
United States.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Kassia / by Diane Touliatos-Banker
  • "Augustus, the Monarch," Byzantine chant
  • "The Fallen Woman," Byzantine chant
  • Hildegard von Bingen / by Barbara Jean Jeskalian
  • "De Sancta Maria," chant sequence
  • "In Evangelium," chant antiphon
  • "Kyrie," mass ordinary chant
  • Countess of Dia / by Beverly J. Evans
  • "A Chantar," troubadour song
  • Anne Boleyn / by Edith Borroff
  • "O Deathe, rock me asleepe," for voice and keyboard or lute (attributed; 1536)
  • Maddalena Casulana / by Beatrice Pescerelli
  • Madrigal VI (1570)
  • Francesca Caccini / by Carolyn Raney
  • "Laudate Dominum" and "Maria, dolce Maria," solo songs from Il Primo Libro (1618)
  • "Aria of the Shepherd," from the opera La Liberazione di Ruggiero (1625)
  • Isabella Leonarda / by Barbara Garvey Jackson
  • Kyrie and "Crucifixus" (from Credo) of Messa Prima (from Opus 18), for chorus, strings, and continuo (1696)
  • Elizabeth-Claude Jacquet de la Guerre / by Susan Erickson
  • "La Flamande" and "Chaconne," from Suite in D minor, for harpsichord (1707)
  • Semele, cantata for two treble voices, violin, and continuo (1715)
  • Maria Margherita Grimani / by Barbara Garvey Jackson
  • "Sinfonia," for strings and continuo, from Pallade e Marte , "opus dramaticum" (1713)
  • Anna Amalie / by Jane P. Ambrose
  • "Adagio," from Sonata in F major for flute and continuo (ca. 1760)
  • Marianne von Martinez / by Karin Pendle
  • "Allegro," from Sonata in A major for piano (1765)
  • Maria Theresia von Paradis / by Karin Pendle
  • "Morgenlied eines armen Mannes," for voice and keyboard (1784-86)
  • "Sicilienne," for flute and keyboard
  • Maria Agata Szymanowska / by Nancy Fierro, CSJ
  • "Nocturne," for piano (1828-31)
  • Josephine Lang / by Marcia J. Citron
  • "Frühzeitiger Frühling," for voice and piano (1830)
  • Fanny Mendelssohn Hensel / by Marcia J. Citron
  • "Schwanenlied," for voice and piano (1846)
  • Clara Schumann / by Nancy B. Reich
  • "Liebst du um Schönheit," for voice and piano (1841)
  • "Allegro Moderato," from Trio in G minor for violin, cello, and piano (1846)
  • Variations on a Theme by Robert Schumann, for piano (1853-54)
  • Louise Farrenc / by Bea Friedland
  • "Allegro deciso," from Trio in E minor for flute or violin, cello, and piano (1857-62)
  • Pauline Viardot-Garcia / by Austin B. Caswell
  • "Die Beschwörung," from Zwölf Gedichte von Pushkin (1865)
  • Amy Marcy Beach / by Adrienne Fried Block
  • "Elle et moi," for voice and piano (1893)
  • "Allegro con fuoco," from Symphony No. 1 (1894)
  • "A Hermit Thrush at Morn," for piano (1921)
  • Cecile Chaminade / by James R. Briscoe
  • "Andante," from Sonata in C minor for piano (1895)
  • Dame Ethel Smyth / by Jane A. Bernstein
  • Scene from Act I of the opera The Wreckers (1904)
  • Lili Boulanger / by Leonie Rosenstiel
  • "Je garde une medaille d'elle" and "Demain fera un an," from Clairieres dans le ciel for voice and piano (1914)
  • Alma Mahler / by Susan M. Filler
  • "Der Erkennende," for voice and piano (1915)
  • Rebecca Clarke / by Jane A. Bernstein
  • "Allegro," from Trio for violin, cello, and piano (1921)
  • Germaine Tailleferre / by Leonie Rosentiel
  • "Modere sans lenteur," from Sonata in C-sharp minor for violin and piano (1923)
  • Ruth Crawford Seeger / by Judith Tick
  • Prelude No. 2, for piano (1924)
  • "Rat Riddles," from Three Songs for Contralto, Oboe, Percussion, and Orchestral Ostinati (1930)
  • "Andante" and "Allegro possibile," from String Quartet (1931)
  • Miriam Gideon / by Barbara A. Petersen
  • The Hound of Heaven, for voice, oboe, and string trio (1945)
  • Grażyna Bacewicz / by Adrian T. Thomas
  • Sonata No. 2, for piano (1953)
  • Louise Talma / by James R. Briscoe
  • La Corona (Seven Sonnets by John Donne), for mixed chorus (1954-55)
  • Julia Perry / by Mildred Denby Green
  • Homunculus C.F., for percussion, harp, and piano (1960)
  • Vivian Fine / by Vivian Fine
  • "The Triumph of Alcestis," from the ballet Alcestis (1960)
  • Violet Archer / by Robert Weber
  • "Preamble," from Sonata for Alto Saxophone and Piano (1972)
  • Pauline Oliveros / by Heidi Von Gunden
  • "Teach Yourself to Fly," "Tumbling Song," and "Zina's Circle," from Sonic
  • Meditations (1974)
  • Thea Musgrave / by James R. Briscoe
  • "Monologue of Mary," from the opera Mary, Queen of Scots (1977)
  • Ellen Taaffe Zwilich / by Ellen Taaffe Zwilich with Bruce Creditor
  • First Movement of Symphony No. 1 (1982)

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