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After the End of Art : Contemporary Art and the Pale of History - Updated Edition /

"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of...

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Detalles Bibliográficos
Autor principal: Danto, Arthur Coleman (Creador)
Otros Autores: Goehr, Lydia
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, 2014
Edición:First Princeton classics edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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245 1 0 |a After the End of Art :   |b Contemporary Art and the Pale of History - Updated Edition /   |c Arthur C. Danto ; with a new foreword by Lydia Goehr. 
250 |a First Princeton classics edition. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c 2014 
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264 4 |c ©2014 
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490 0 |a The A.W. Mellon lectures in the fine arts  |v 1995 
490 0 |a Princeton classics 
490 0 |a Bollingen series  |v XXXV, 44 
505 0 |a Foreword to the Princeton classics edition -- Introduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: Possiblity and comedy 
520 8 |a "Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover. 
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650 7 |a Art criticism  |x Philosophy.  |2 fast  |0 (OCoLC)fst00815501 
650 0 |a Postmodernism. 
650 0 |a Art criticism  |x Philosophy. 
650 0 |a Art  |x Historiography. 
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