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Barbara Hammer : Pushing Out of the Frame /
"Barbara Hammer tends to be best known for her work from the 1970s. In those years, she radically represents female subjects and subjectivity in a series of films that are both part of and ahead of their time. Films like Dyketactics (1974), Menses (1974), Superdyke (1975), and Multiple Orgasm (...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Detroit :
Wayne State University Press,
2021.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Keller, Sarah, |e author. | |
| 245 | 1 | 0 | |a Barbara Hammer : |b Pushing Out of the Frame / |c Sarah Keller. |
| 264 | 1 | |a Detroit : |b Wayne State University Press, |c 2021. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©2021. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Queer screens | |
| 520 | |a "Barbara Hammer tends to be best known for her work from the 1970s. In those years, she radically represents female subjects and subjectivity in a series of films that are both part of and ahead of their time. Films like Dyketactics (1974), Menses (1974), Superdyke (1975), and Multiple Orgasm (1976) explore lesbian sexuality, feminist identity, and social activism: Hammer recorded non-actors (including herself) in frank acts of lesbian sex; showed parts of the female experience (and anatomy) usually elided in filmic depictions of women; staged rituals portraying women in various attitudes of empowerment; and subsequently provided models for feminist action and power. Granting exposure to a decidedly feminist and lesbian sensibility starting with these early films, Hammer has frequently and rightly been seen as a pioneer of queer cinema. If her productivity had been limited to the 1970s, her importance to queer film and art histories would still be assured, though perhaps skewed a bit toward frameworks of identity for understanding her artistic commitments"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/84009/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2021 Complete | ||
| 945 | |a Project MUSE - 2021 Film, Theater and Dance | ||