Realism and Role-Play : The Human Figure in French Art from Callot to the Brothers Le Nain /

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"After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors a...

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Detalles Bibliográficos
Autor principal: Knowles, Marika Takanishi (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark, Delaware : University of Delaware Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Social status in art.
Role playing in art.
Human beings in art.
Figurative art, French.
Figurative art, French > 17th century.
Electronic books.
Acceso en línea:Texto completo

MARC

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010 |z  2020023358 
020 |a 9781644531822 
020 |z 9781644532058 
020 |z 9781644531808 
035 |a (OCoLC)1157349480 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Knowles, Marika Takanishi,  |e author. 
245 1 0 |a Realism and Role-Play :   |b The Human Figure in French Art from Callot to the Brothers Le Nain /   |c Marika Takanishi Knowles. 
264 1 |a Newark, Delaware :  |b University of Delaware Press,  |c 2020. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2020. 
300 |a 1 online resource (326 pages):   |b illustrations (some color) ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Studies in seventeenth- and eighteenth-century art and culture 
505 0 0 |a Machine generated contents note:  |g ch. 1  |t Making an Entrance: Tupinambas and Burlesque Dancers --  |g ch. 2  |t Swaggering Off (Callot I): Actors, Mercenaries, and Duelers --  |g ch. 3  |t Marking Nobility: Fanfarons, Pages, and Illustrious Men --  |g ch. 4  |t Playing the Strong Woman: Queens and Courtesans --  |g ch. 5  |t Covering Shame (Callot II): Dwarves, Beggars, and Criers --  |g ch. 6  |t Opening Secrets: Peasants --  |t Coda: Curtain Call: Watteau's Pierrot. 
520 |a "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Social status in art.  |2 fast  |0 (OCoLC)fst01123368 
650 7 |a Role playing in art.  |2 fast  |0 (OCoLC)fst01099629 
650 7 |a Human beings in art.  |2 fast  |0 (OCoLC)fst00962862 
650 7 |a Figurative art, French.  |2 fast  |0 (OCoLC)fst00924047 
650 0 |a Role playing in art. 
650 0 |a Social status in art. 
650 0 |a Figurative art, French  |y 17th century. 
650 0 |a Human beings in art. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/83976/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Art and Architecture 

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