Cargando…
The Content of Our Caricature : African American Comic Art and Political Belonging /
Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these...
| Autor principal: | |
|---|---|
| Formato: | Electrónico |
| Idioma: | Inglés |
| Publicado: |
New York, NY
New York University Press
[2020]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cmm a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_83832 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905052629.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 201020s2020 nyu o 00 0 eng d | ||
| 020 | |a 9781479813636 | ||
| 035 | |a (OCoLC)1273307365 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Wanzo, Rebecca |e Verfasser. |4 aut | |
| 245 | 1 | 4 | |a The Content of Our Caricature : |b African American Comic Art and Political Belonging / |c Rebecca Wanzo. |
| 264 | 1 | |a New York, NY |b New York University Press |c [2020] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©[2020] | |
| 300 | |a 1 online resource: |b 69 hts / 6 page color insert. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Postmillennial Pop ; |v 25 | |
| 520 | |a Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed. | ||
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies. |2 bisacsh | |
| 650 | 4 | |a visual culture. | |
| 650 | 4 | |a underground comix. | |
| 650 | 4 | |a stereotype. | |
| 650 | 4 | |a slavery. | |
| 650 | 4 | |a racial melancholia. | |
| 650 | 4 | |a offensive humor. | |
| 650 | 4 | |a infantile citizenship. | |
| 650 | 4 | |a equal opportunity humor. | |
| 650 | 4 | |a editorial cartoons. | |
| 650 | 4 | |a citizenship. | |
| 650 | 4 | |a World War II. | |
| 650 | 4 | |a Violence. | |
| 650 | 4 | |a U.S. comics. | |
| 650 | 4 | |a Thomas Nast. | |
| 650 | 4 | |a Richard Grass Green. | |
| 650 | 4 | |a R Crumb. | |
| 650 | 4 | |a Ollie Harrington. | |
| 650 | 4 | |a Nat Turner. | |
| 650 | 4 | |a Martin Luther King Jr. | |
| 650 | 4 | |a Larry Fuller. | |
| 650 | 4 | |a Kyle Baker. | |
| 650 | 4 | |a Jennifer Cruté. | |
| 650 | 4 | |a Icon. | |
| 650 | 4 | |a Ho Che Anderson. | |
| 650 | 4 | |a Hermeneutic. | |
| 650 | 4 | |a Comics. | |
| 650 | 4 | |a Civil Rights Movement. | |
| 650 | 4 | |a Captain America. | |
| 650 | 4 | |a Brumsic Brandon Jr. | |
| 650 | 4 | |a Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/83832/ |
| 945 | |a Project MUSE - Custom Collection | ||