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201007t20212021flu o 00 0 eng d |
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|z 2020045486
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|a 9781683402404
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|z 9781683402060
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|a (OCoLC)1202732561
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Flanders Crosby, Jill,
|e author.
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|a Situated Narratives and Sacred Dance :
|b Performing the Entangled Histories of Cuba and West Africa /
|c Jill Flanders Crosby and J.T. Torres.
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264 |
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1 |
|a Gainesville :
|b University of Florida Press,
|c [2021]
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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264 |
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4 |
|c ©[2021]
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300 |
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|a 1 online resource (296 pages).
|
336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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0 |
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|a Introduction: Unfolding Layers -- Part 1. Situated Narratives, Embodied Memories: Living Oral Histories -- Theories and Methods of Artists Performing Fieldwork -- The Trouble with Arar or All Things Religious Belong Together -- Perico and Agramonte: Sensorial Stories / Jill Flanders Crosby -- Perico / Jill Flanders Crosby and Melba Núñez Isalbe -- The Rememberer / J. T. Torres -- Agramonte / Jill Flanders Crosby -- Becoming History: The Many Lives of Justo Zulueta -- The Notebooks / J. T. Torres -- French Gods and the Aw n: Narrating Armando Zulueta / Jill Flanders Crosby -- Dzodze: Dancing with Dashi / Jill Flanders Crosby -- Adjodogou: In the Land of Vodu / Jill Flanders Crosby -- Acts of Storytelling -- Part 2. Secrets Under the Skin: Sensing the Moment at the Intersection of Art and Research -- Narrating the Secrets Under the Skin Installation / Jill Flanders Crosby -- The Artist's Accidental Proof: The Palm Frond and the Wood Block / Susan Matthews -- Photographic Insights: Ceremonial Ritual in Ghana and Togo / Brian Jeffery -- in listening/in response / Marianne M. Kim -- Witnessing and Sensing Stories / Melba Núñez Isalbe -- Conclusion: Participating in Metaculture / Jill Flanders Crosby and J. T. Torres -- Afterword / Jill Flanders Crosby
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520 |
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|a "Through a revolutionary ethnographic approach that foregrounds storytelling and performance, this book explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the Atlantic slave trade"--
|c Provided by publisher.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Slave trade.
|2 fast
|0 (OCoLC)fst01120405
|
650 |
|
7 |
|a Ewe (African people)
|x Social conditions.
|2 fast
|0 (OCoLC)fst00917365
|
650 |
|
7 |
|a Ewe (African people)
|x Rites and ceremonies.
|2 fast
|0 (OCoLC)fst00917364
|
650 |
|
7 |
|a Ethnology.
|2 fast
|0 (OCoLC)fst00916106
|
650 |
|
7 |
|a Dance
|x Religious aspects.
|2 fast
|0 (OCoLC)fst00887446
|
650 |
|
0 |
|a Ethnology
|z Cuba.
|
650 |
|
0 |
|a Dance
|z Ghana
|x Religious aspects.
|
650 |
|
0 |
|a Slave trade
|z Cuba
|x History.
|
650 |
|
0 |
|a Slave trade
|z Africa, West
|x History.
|
650 |
|
0 |
|a Dance
|z Cuba
|x Religious aspects.
|
650 |
|
0 |
|a Ewe (African people)
|z Cuba
|x Rites and ceremonies.
|
650 |
|
0 |
|a Anlo (African people)
|z Cuba
|x Rites and ceremonies.
|
650 |
|
0 |
|a Ewe (African people)
|z Cuba
|x Social conditions.
|
650 |
|
0 |
|a Anlo (African people)
|z Cuba
|x Social conditions.
|
651 |
|
7 |
|a West Africa.
|2 fast
|0 (OCoLC)fst01239521
|
651 |
|
7 |
|a Ghana.
|2 fast
|0 (OCoLC)fst01208741
|
651 |
|
7 |
|a Cuba.
|2 fast
|0 (OCoLC)fst01205805
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
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|a Torres, J. T.,
|e author.
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/83736/
|
945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - 2021 Complete
|
945 |
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|a Project MUSE - 2021 Archaeology and Anthropology
|
945 |
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|a Project MUSE - 2021 Latin American and Caribbean Studies
|