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The Chinese Atlantic : Seascapes and the Theatricality of Globalization /

"In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Me...

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Detalles Bibliográficos
Autor principal: Metzger, Sean (Autor, VerfasserIn.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana Indiana University Press [2020]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Metzger, Sean  |e VerfasserIn.  |4 aut 
245 1 4 |a The Chinese Atlantic :   |b Seascapes and the Theatricality of Globalization /   |c Sean Metzger. 
264 1 |a Bloomington, Indiana  |b Indiana University Press  |c [2020] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2020] 
300 |a 1 online resource (274 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Framing the global 
500 |a Includes bibliographical references and index. 
505 0 |a Reeling -- Incorporating -- Flowing -- Ebbing -- Eddying -- Epilogue. 
520 |a "In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central issues in the study of similar case studies from South Africa and England to demonstrate how Chinese Atlantic seascapes frame globalization as we experience it today. Frequently focusing on art that interacts directly with the sites in which it is located, Metzger explores how Chinese migrant laborers and entrepreneurs did the same to shape-both physically and culturally-the new spaces in which they found themselves. In this manner, Metzger encourages us to see how artistic imagination and practice interact with migration to produce a new way of framing the global" 
520 |a Reeling -- Incorporating -- Flowing -- Ebbing -- Eddying -- Epilogue. 
588 |a Description based on print version record. 
650 7 |a Civilization  |x Chinese influences.  |2 fast  |0 (OCoLC)fst00862903 
650 7 |a Chinese.  |2 fast  |0 (OCoLC)fst00857169 
650 7 |a Arts.  |2 fast  |0 (OCoLC)fst00817721 
650 0 |a Arts  |z Carribbean Area. 
650 0 |a Chinese  |z Caribbean Area  |x History. 
651 7 |a Caribbean Area.  |2 fast  |0 (OCoLC)fst01244080 
651 0 |a Caribbean Area  |x Civilization  |x Chinese influences. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/83698/ 
945 |a Project MUSE - Custom Collection