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The Fetters of Rhyme : Liberty and Poetic Form in Early Modern England /

"Long before the English fought a civil war over the meaning of liberty, poets were debating the benefits of constraint and the risks of bond-breaking. Early modern poets imagined rhyme as a band or fetter, and compared rhyme to the bonds that tie individuals to political, social, and religious...

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Detalles Bibliográficos
Autor principal: Rush, Rebecca M., 1987- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton : Princeton University Press, 2021.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rush, Rebecca M.,  |d 1987-  |e author. 
245 1 4 |a The Fetters of Rhyme :   |b Liberty and Poetic Form in Early Modern England /   |c Rebecca M. Rush. 
264 1 |a Princeton :  |b Princeton University Press,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2021. 
300 |a 1 online resource (304 pages):   |b illustrations (black and white) ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Sweet Be the Bands: Spenser and the Sonnet of Association -- Licentious Rhymers: Donne and the Late-Elizabethan Couplet Revival -- An Even and Unaltered Gait: Jonson and the Poetics of Character -- Rhyme Oft Times Over-Reaches Reason: Measure and Passion after the Civil War -- Milton and the Known Rules of Ancient Liberty. 
520 |a "Long before the English fought a civil war over the meaning of liberty, poets were debating the benefits of constraint and the risks of bond-breaking. Early modern poets imagined rhyme as a band or fetter, and compared rhyme to the bonds that tie individuals to political, social, and religious communities. Because they believed that verse forms reflected cosmic and political patterns, early modern authors maintained that formal choices were never ideologically neutral. The charged nature of early modern forms is particularly visible in the dynamic history of the couplet: In the 1590s, poets like John Donne took up the Chaucerian couplet to signal their sexual and political radicalism, but by the middle of the seventeenth century Royalist poets had co-opted the couplet as a tool for reinforcing affective ties to king and country"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Poetics  |2 fast  |0 (OCoLC)fst01067682 
650 7 |a English poetry  |x Early modern  |2 fast  |0 (OCoLC)fst01710963 
650 7 |a English language  |x Rhyme  |2 fast  |0 (OCoLC)fst00911623 
650 7 |a Couplets, English.  |2 fast  |0 (OCoLC)fst02021911 
650 0 |a Couplets, English  |x History and criticism. 
650 0 |a Poetics. 
650 0 |a English language  |x Rhyme. 
650 0 |a English poetry  |y Early modern, 1500-1700  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/83368/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Language and Linguistics