Cargando…

Dutch Post-war Fiction Film through a Lens of Psychoanalysis /

Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film...

Descripción completa

Detalles Bibliográficos
Autor principal: Verstraten, Peter (Peter Wilhelmus Josephus), 1967- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2021.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_83229
003 MdBmJHUP
005 20230905052551.0
006 m o d
007 cr||||||||nn|n
008 210331s2021 ne o 00 0 eng d
020 |a 9789048551729 
035 |a (OCoLC)1246445287 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Verstraten, Peter  |q (Peter Wilhelmus Josephus),  |d 1967-  |4 aut 
245 1 0 |a Dutch Post-war Fiction Film through a Lens of Psychoanalysis /   |c Peter Verstraten. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2021. 
300 |a 1 online resource (482 pages):   |b illustraties. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Framing Film 
500 |a In colofon: "Published by Eye Filmmuseum" 
520 |a Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis). Bron: Flaptekst, uitgeversinformatie. 
588 |a Description based on print version record. 
650 7 |a Nederland.  |2 btr  |0 (NL-LeOCL)075632705 
650 7 |a psychoanalyse.  |2 btr  |0 (NL-LeOCL)075619725 
650 7 |a films.  |2 btr  |0 (NL-LeOCL)075606143 
655 7 |a Electronic books.   |2 local 
710 2 |a EYE (Amsterdam)  |4 pbl  |0 (NL-LeOCL)327980273 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/83229/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Film, Theater and Dance