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Konglanjo /

This collection of poems evolves as a network and satellite of an expressive pursuit of justice with a difference. For, though this poetry simultaneously shapes global and grassroots smiles and tears, its corpus is no matter for laughter or weeping. In familiar but not identical voices, the poet tac...

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Detalles Bibliográficos
Autor principal: Bongasu-Tanla-Kishani
Formato: Electrónico eBook
Idioma:Inglés
Bantu
Publicado: [East Lansing, Mich.] : Distributed in N. America by Michigan State University Press, 2010.
Edición:[2nd ed.].
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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041 0 |a eng  |a bnt 
100 0 |a Bongasu-Tanla-Kishani. 
245 1 0 |a Konglanjo /   |c Bongasu Tanla Kishani. 
250 |a [2nd ed.]. 
264 1 |a [East Lansing, Mich.] :  |b Distributed in N. America by Michigan State University Press,  |c 2010. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2010. 
300 |a 1 online resource (104 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Includes new "Foreword to the second edition." 
500 |a Poems. 
505 0 |a Konglanjo (Spears of love without ill-fortune) -- Letters to Ethiopia. 
520 |a This collection of poems evolves as a network and satellite of an expressive pursuit of justice with a difference. For, though this poetry simultaneously shapes global and grassroots smiles and tears, its corpus is no matter for laughter or weeping. In familiar but not identical voices, the poet tackles social evils as parasites while cross-examining cultural assumptions in the same vein. Triple form-title poem, Letters to Ethiopia and Some Random poems, explores nightmares of colonial mission civilisatrice by dint of two decades of inspirational events from 1965 as invitations into a more serene world emerging from post-discoveries. --Book Jacket. 
520 |a "The Title poem relates to most important poetry of all ages: It reveals how, in the search for right images, metaphors and most apposite expressions, we often find ourselves listening to the voice that ̀bids us return to our own sources.' Since the poet has discovered the right idioms, he has, throughout the poem, undergone the process of depersonalization, has indeed obtained objectivity: Little of himself is felt in the poem. He obtains this effect by the use of the appropriate voice--That of the priest at the ceremony." Professor Siga Asanga, ABBIA, Cameroon Cultural Review. 
546 |a English with some Lamnso'. 
588 |a Description based on print version record. 
650 7 |a Nso (African people)  |2 fast  |0 (OCoLC)fst01039836 
650 0 |a Nso (African people)  |v Poetry. 
651 7 |a Cameroon.  |2 fast  |0 (OCoLC)fst01212703 
651 0 |a Cameroon  |v Poetry. 
655 7 |a Poetry.  |2 fast  |0 (OCoLC)fst01423828 
655 7 |a Electronic books.   |2 local 
700 0 2 |a Bongasu-Tanla-Kishani.  |t Letters to Ethiopia. 
740 0 2 |a Letters to Ethiopia. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection