Crossing Bar Lines : The Politics and Practices of Black Musical Space /

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"In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American impro...

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Detalles Bibliográficos
Autor principal: Williams, James Gordon, 1970- (Autor)
Otros Autores: Kelley, Robin D. G. (writer of foreword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2021]
Colección:Book collections on Project MUSE.
Temas:
Jazz.
African Americans > Music.
African Americans > Music > 21st century > History and criticism.
Jazz > Political aspects > United States > History > 21st century.
Jazz > 2011-2020 > History and criticism.
Jazz > 2001-2010 > History and criticism.
United States.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Foreword / Robin D. G. Kelley
  • Introduction. Entering a theory of black musical space
  • Terence Blanchard and the politics of breathing
  • Billy Higgins in the zone : brushwork, breath, and imagination
  • The social science music of Terri Lyne Carrington
  • Ambrose Akinmusire's satchel of origami
  • Unified fragmentation : Andrew Hill's street theory of black musical space
  • Epilogue. The sonic archive of black spatiality.

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