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Household Horror : Cinematic Fear and the Secret Life of Everyday Objects /

"Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie's prom dress, and houseplants might kill you while you sleep. In Household Horror: Cinematic Fear and the Secret Life of Everyday Objects Marc Olivier highligh...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Olivier, Marc (Marc Louis) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library, [2020]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Olivier, Marc  |q (Marc Louis),  |e author. 
245 1 0 |a Household Horror :   |b Cinematic Fear and the Secret Life of Everyday Objects /   |c Marc Olivier. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press, Office of Scholarly Publishing, Herman B Wells Library,  |c [2020] 
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490 0 |a The year's work: studies in fan culture and cultural theory 
504 |a Includes bibliographical references and index. 
520 |a "Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie's prom dress, and houseplants might kill you while you sleep. In Household Horror: Cinematic Fear and the Secret Life of Everyday Objects Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema. Inspired by object-oriented ontology and the nonhuman turn in philosophy, Olivier places objects in film on par with humans, arguing, for example, that a sleeper sofa is as much the star of Sisters as Margot Kidder, that The Exorcist is about a possessed bed, and that Rosemary's Baby is a conflict between herbal shakes and prenatal vitamins. Household Horror reinvigorates horror film criticism by investigating the unfathomable being of objects as seemingly benign as remotes, radiators, refrigerators, and dining tables. Olivier questions what Hitchcock's Psycho tells us about shower curtains. What can we learn from Freddie Krueger's greatest accomplice, the mattress? Room by room, Olivier considers the dark side of fourteen household objects to demonstrate how the objects in these films manifest their own power and connect with specific cultural fears and concerns"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 0 |a House furnishings in motion pictures. 
650 0 |a Horror films  |x History and criticism. 
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