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I Died a Million Times : Gangster Noir in Midcentury America /

"In the 1950s, the gangster movie and film noir crisscrossed to create gangster noir. Robert Miklitsch takes readers into this fascinating subgenre of films focused on crime syndicates, crooked cops, and capers. With the Senate's organized crime hearings and the brighter-than-bright myth o...

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Detalles Bibliográficos
Autor principal: Miklitsch, Robert, 1953- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2021]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Miklitsch, Robert,  |d 1953-  |e author. 
245 1 0 |a I Died a Million Times :   |b Gangster Noir in Midcentury America /   |c Robert Miklitsch. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2021] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2021] 
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520 |a "In the 1950s, the gangster movie and film noir crisscrossed to create gangster noir. Robert Miklitsch takes readers into this fascinating subgenre of films focused on crime syndicates, crooked cops, and capers. With the Senate's organized crime hearings and the brighter-than-bright myth of the American Dream as a backdrop, Miklitsch examines the style and history, and the production and cultural politics, of classic pictures from The Big Heat and The Asphalt Jungle to lesser-known gems like 711 Ocean Drive and post-Fifties movies like Ocean's Eleven. Miklitsch pays particular attention to trademark leitmotifs including the individual versus the collective; the family as a locus of dissension and rapport; the real-world roots of the heist picture; and the syndicate as an octopus with its tentacles deep into law enforcement, corporate America, and government. If the memes of gangster noir remain prototypically dark, the look of the films becomes lighter and flatter, reflecting the influence of television and the realization that, under the cover of respectability, crime had moved from the underworld into the mainstream of contemporary everyday life"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Motion pictures  |x Social aspects.  |2 fast  |0 (OCoLC)fst01027384 
650 7 |a Gangster films.  |2 fast  |0 (OCoLC)fst00937711 
650 7 |a Film noir.  |2 fast  |0 (OCoLC)fst00924273 
650 0 |a Motion pictures  |x Social aspects  |z United States  |x History  |y 20th century. 
650 0 |a Film noir  |z United States  |x History and criticism. 
650 0 |a Gangster films  |z United States  |x History and criticism. 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/82429/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Film, Theater and Dance