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Chronicling Stankonia : The Rise of the Hip-Hop South /

"Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside f...

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Detalles Bibliográficos
Autor principal: Bradley, Regina N., 1984- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : University of North Carolina Press, 2021.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bradley, Regina N.,  |d 1984-  |e author. 
245 1 0 |a Chronicling Stankonia :   |b The Rise of the Hip-Hop South /   |c Regina N. Bradley. 
264 1 |a Chapel Hill :  |b University of North Carolina Press,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2021. 
300 |a 1 online resource (136 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself -- A Final Note. The South Still Got Something to Say. 
520 |a "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Rap (Music)  |x Social aspects.  |2 fast  |0 (OCoLC)fst01089957 
650 7 |a Rap (Music)  |2 fast  |0 (OCoLC)fst01089951 
650 7 |a Hip-hop.  |2 fast  |0 (OCoLC)fst00957237 
650 7 |a African Americans  |x Race identity.  |2 fast  |0 (OCoLC)fst00799666 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / African American Studies  |2 bisacsh 
650 0 |a African Americans  |x Race identity  |z Southern States. 
650 0 |a Hip-hop  |z Southern States. 
650 0 |a Rap (Music)  |z Southern States  |x History and criticism. 
650 0 |a Rap (Music)  |x Social aspects  |z Southern States. 
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610 2 0 |a OutKast (Musical group) 
651 7 |a Southern States.  |2 fast  |0 (OCoLC)fst01244550 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/82206/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 US Regional Studies, South