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South Asian Filmscapes : Transregional Encounters /

"According Esha De and Elora Chowdhury, the legacies of industrial and independent cinemas in the subcontinent of South Asia reveal an intertwining of South Asian histories that show geopolitical and social boundaries to be both porous and hybrid. On the one hand, cinematic portrayals encode th...

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Detalles Bibliográficos
Autor Corporativo: South Asian Regional Media Scholars Network
Otros Autores: De, Esha Niyogi (Editor ), Chowdhury, Elora Halim (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Seattle : University of Washington Press, 2021.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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245 0 0 |a South Asian Filmscapes :   |b Transregional Encounters /   |c edited by Elora Halim Chowdhury and Esha Niyogi De. 
264 1 |a Seattle :  |b University of Washington Press,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2021. 
300 |a 1 online resource (336 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a "This volume, the inaugural publication of the South Asian Regional Media Scholars Network (SARMSNet)" --Text. 
520 |a "According Esha De and Elora Chowdhury, the legacies of industrial and independent cinemas in the subcontinent of South Asia reveal an intertwining of South Asian histories that show geopolitical and social boundaries to be both porous and hybrid. On the one hand, cinematic portrayals encode the effects of the massive geopolitical rifts born in postcolonial south Asia of religious, linguistic, and ethnic conflicts--the primary being the India-Pakistan Partition (1947) and the Bangladesh Liberation War (1971). Practices and policies of cinema in the nation-states (India, Pakistan, Bangladesh) likewise reinforce prevailing hierarches of identity and belonging. On the other hand, the combined histories of cinema and sociality in the South Asian region are replete with cross fertilization the effects of which lingered on well past the Partition of India and Pakistan and the birth of Bangladesh. The essays in this volume reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners across South Asia and interrogate how filmic politics intersect with discourses around nationalism, sexuality and gender, religion, and language"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a National characteristics in motion pictures.  |2 fast  |0 (OCoLC)fst01033336 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Motion picture industry.  |2 fast  |0 (OCoLC)fst01027150 
650 0 |a National characteristics in motion pictures  |v Congresses. 
650 0 |a Motion picture industry  |z South Asia  |x History  |y 21st century  |v Congresses. 
650 0 |a Motion picture industry  |z South Asia  |x History  |y 20th century  |v Congresses. 
650 0 |a Motion pictures  |z South Asia  |x History  |y 21st century  |v Congresses. 
650 0 |a Motion pictures  |z South Asia  |x History  |y 20th century  |v Congresses. 
651 7 |a South Asia.  |2 fast  |0 (OCoLC)fst01244520 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Conference papers and proceedings.  |2 fast  |0 (OCoLC)fst01423772 
655 7 |a Electronic books.   |2 local 
700 1 |a De, Esha Niyogi,  |e editor. 
700 1 |a Chowdhury, Elora Halim,  |e editor. 
710 2 |a South Asian Regional Media Scholars Network. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/81800/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Film, Theater and Dance 
945 |a Project MUSE - 2021 Asian and Pacific Studies