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musev2_81410 |
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20230905052346.0 |
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200609s2021 lau o 00 0 eng d |
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|z 2020026098
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|a 9780807175101
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|a (OCoLC)1158501845
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Kempf, Christopher,
|e author.
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1 |
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|a What Though the Field Be Lost :
|b Poems /
|c Christopher Kempf.
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|a Baton Rouge :
|b Louisiana State University Press,
|c [2021]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©[2021]
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|a 1 online resource (94 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover -- Contents -- National Anthem -- Remembrance Day -- Michaux State Forest, New Year's -- On Iconoclasm -- or, A Little History of Statuary Exploding -- Great White -- & -- BEACH PARTY STEAK FRY -- Snow in Inuit -- Color Guard -- Local News -- Indianapolis 500 -- What Though the Field Be Lost -- Natinals -- Gapers Delay -- or, Mise en Abyme with Fire & Corsage -- The Union Forever -- Homecoming -- Cyclorama -- Nativity Scene Dedication -- Little America -- The Fishhook -- Pro Patria -- Good Death -- "South Will Rise -- Art of Fielding -- or, The Night the Turf Tore Open -- After
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|a Veterans Day 5K -- Acknowledgments
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520 |
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|a ""What Though the Field Be Lost" uses the battlefield there as setting and subject for poetry that engages with ongoing conversations about race, regional identity, and the ethics of memory in the United States. With compassion and empathy, as well as humor and humility, Kempf stitches documentary details-incorporating language from monuments, soldiers' letters, and eyewitness accounts of the battle-alongside personal moments and reflections that capture the overlapping planes of historical past and public present. Milton's famously charismatic Satan offers a model of the allure in which evil can be veiled, as Kempf investigates the ambivalences and evasions involved in any understanding of national, or nationalist, identity. The author's experiences living in Gettysburg are read, in turn, against Milton's account of Adam and Eve, the book's title alluding to the fact that, though the Civil War itself may be over, the field of Gettysburg remains contested. Throughout, Kempf intercuts historical materials with references to contemporary social and political unrest, including monument protests, police shootings, and often-heated battle reenactments. Shuttling deftly between past and present, "What Though the Field Be Lost" examines the many pasts that inhere, now and forever, in the places we occupy"--
|c Provided by publisher.
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588 |
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|a Description based on print version record.
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655 |
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7 |
|a Poetry.
|2 lcgft
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655 |
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7 |
|a Poetry
|2 fast
|0 (OCoLC)fst01423828
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655 |
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7 |
|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/81410/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2021 Complete
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945 |
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|a Project MUSE - 2021 Poetry, Fiction and Creative Non-Fiction
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