|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_81276 |
003 |
MdBmJHUP |
005 |
20230905052338.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
200424s2020 mau o 00 0 eng d |
010 |
|
|
|z 2020019282
|
020 |
|
|
|a 9781613767795
|
020 |
|
|
|z 9781625345301
|
020 |
|
|
|z 9781613767801
|
020 |
|
|
|z 9781625345295
|
035 |
|
|
|a (OCoLC)1228032001
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Garabedian, Steven P.,
|e author.
|
245 |
1 |
2 |
|a A Sound History :
|b Lawrence Gellert, Black Musical Protest, and White Denial /
|c Steven P. Garabedian.
|
264 |
|
1 |
|a Amherst :
|b University of Massachusetts Press,
|c [2020]
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2021
|
264 |
|
4 |
|c ©[2020]
|
300 |
|
|
|a 1 online resource (240 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a American popular music
|
520 |
|
|
|a "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
|c Provided by publisher.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|a Protest songs.
|2 fast
|0 (OCoLC)fst01079869
|
650 |
|
7 |
|a Music
|x Political aspects.
|2 fast
|0 (OCoLC)fst01030414
|
650 |
|
7 |
|a Music
|x Historiography.
|2 fast
|0 (OCoLC)fst01030329
|
650 |
|
7 |
|a Folk music.
|2 fast
|0 (OCoLC)fst00929383
|
650 |
|
7 |
|a African Americans
|x Music.
|2 fast
|0 (OCoLC)fst00799648
|
650 |
|
7 |
|a African Americans
|x Historiography.
|2 fast
|0 (OCoLC)fst00799622
|
650 |
|
0 |
|a Music
|x Political aspects
|z United States
|x History
|y 20th century.
|
650 |
|
0 |
|a African Americans
|x Historiography.
|
650 |
|
0 |
|a Music
|x Historiography.
|
650 |
|
0 |
|a Protest songs
|z United States
|x History and criticism.
|
650 |
|
0 |
|a Folk music
|z United States
|x History and criticism.
|
650 |
|
0 |
|a African Americans
|x Music
|x History and criticism.
|
600 |
1 |
7 |
|a Gellert, Lawrence,
|d 1898-1979.
|2 fast
|0 (OCoLC)fst00147963
|
600 |
1 |
0 |
|a Gellert, Lawrence,
|d 1898-1979.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/81276/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - 2021 Complete
|
945 |
|
|
|a Project MUSE - 2021 Music
|
945 |
|
|
|a Project MUSE - 2021 American Studies
|