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Revisiting Women's Cinema : Feminism, Socialism, and Mainstream Culture in Modern China /
"Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."--
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2020.
|
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_80990 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905052323.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 201113s2020 ncu o 00 0 eng d | ||
| 010 | |z 2020017610 | ||
| 020 | |a 9781478012337 | ||
| 020 | |z 9781478010807 | ||
| 020 | |z 9781478009757 | ||
| 035 | |a (OCoLC)1206357395 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Wang, Lingzhen, |e author. | |
| 245 | 1 | 0 | |a Revisiting Women's Cinema : |b Feminism, Socialism, and Mainstream Culture in Modern China / |c Lingzhen Wang. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2020. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2020. | |
| 300 | |a 1 online resource (307 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a A camera obscura book | |
| 505 | 0 | |a Socialist Feminism and Socialist Culture Reconsidered: Institutionalized Practice, Proletarian Public Space, and Experimental Mainstream Cinema -- The Articulation of Embedded Feminist Agency in Socialist Mainstream Cinema: Wang Ping and The Story of Liubao Village (1957) -- Socialist Experimentalism, Critical Revision, and Gender Difference in Dong Kena's Small Grass Grows on the Kunlun Mountains (1962) -- Independent Feminist Practice in 1980s Post-Mao China: The Gendered Personal, Sexual Difference, and Universal Female Consciousness Film Theory, Avant-gardism, and the Rise of Masculine Aesthetics in 1980s Chinese Mainstream Cinema -- Alternative Experimental Cinema: Zhang Nuanxin's Socially Committed Mainstream Film Practice of the 1980s -- The Black Silk Velvet Aesthetic: Universal Cultural Feminism and Chinese Neotraditionalism in Huang Shuqin's Woman Demon Human (1987) | |
| 520 | |a "Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Women motion picture producers and directors. |2 fast |0 (OCoLC)fst01178163 | |
| 650 | 7 | |a Women in motion pictures. |2 fast |0 (OCoLC)fst01177931 | |
| 650 | 7 | |a Motion pictures |x Political aspects. |2 fast |0 (OCoLC)fst01027353 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Feminist films. |2 fast |0 (OCoLC)fst01715726 | |
| 650 | 0 | |a Motion pictures |x Political aspects |z China |x History |y 20th century. | |
| 650 | 0 | |a Women in motion pictures. | |
| 650 | 0 | |a Feminist films |x History and criticism. | |
| 650 | 0 | |a Women motion picture producers and directors |z China. | |
| 650 | 0 | |a Motion pictures |z China |x History |y 20th century. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 651 | 7 | |a China. |2 fast |0 (OCoLC)fst01206073 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/80990/ |
| 945 | |a Project MUSE - Custom Collection | ||