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201210t20212021enk o 00 0 eng d |
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|a 9781529208085
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|z 9781529208054
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|a (OCoLC)1226587369
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|a MdBmJHUP
|c MdBmJHUP
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|a McGregor, Rafe,
|e author.
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|a A Criminology Of Narrative Fiction /
|c Rafe McGregor.
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|a Bristol, UK :
|b Bristol University Press,
|c 2021.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©2021.
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|a 1 online resource (176 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a New Horizons in Criminology series
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|a Front Cover -- A Criminology of Narrative Fiction -- Series -- Copyright information -- Table of contents -- About the Author -- Acknowledgments -- Preface -- 1 Introduction: Narrative, Criminology, and Fiction -- Introduction -- Narrative vs non-narrative -- Fiction vs nonfiction -- The structure of this book -- 2 Narrative Criminologies -- Introduction -- Criminological inquiry: levels, methods, narratives -- Narrative criminological framework -- Constitutive narratives -- Moral stories -- Conclusion -- 3 Fictional Criminologies -- Introduction -- Cultural criminological framework
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|a Ruggiero's critical realism -- Frauley's critical realism -- Narrative justice -- Conclusion -- 4 Phenomenological Criminology -- Introduction -- Phenomenological knowledge -- The Zone of Interest -- The Sheriff of Babylon -- Conclusion -- 5 Counterfactual Criminology -- Introduction -- Counterfactual knowledge -- Broadchurch 3 -- A Brief History of Seven Killings -- Conclusion -- 6 Mimetic Criminology -- Introduction -- Mimetic knowledge -- Miami Vice -- City of God -- Conclusion -- 7 Criminological Cinema -- Introduction -- Popular criminology -- Mythic storytelling -- Beverly Hills Cop
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|a Conclusion -- 8 Conclusion: Criminology of Narrative Fiction -- The Departed -- Narrative criminologies -- Fictional criminologies -- Phenomenological criminology -- Counterfactual criminology -- Mimetic criminology -- Criminological cinema -- Videogame narratives? -- Notes -- References -- Index -- Back Cover
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|a Drawing on complex narratives across film, TV, novels and graphic novels, this authoritative critical analysis demonstrates the value of fictional narratives as a tool for understanding, explaining and reducing crime and social harm. McGregor establishes an original theory of the criminological value of fiction.
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|a Description based on print version record.
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650 |
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7 |
|a Detective and mystery stories.
|2 fast
|0 (OCoLC)fst00891461
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650 |
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7 |
|a Crime
|x Sociological aspects.
|2 fast
|0 (OCoLC)fst00883017
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650 |
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7 |
|a Crime on television.
|2 fast
|0 (OCoLC)fst00883054
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650 |
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7 |
|a Crime in motion pictures.
|2 fast
|0 (OCoLC)fst02015137
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650 |
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|a Crime in literature.
|2 fast
|0 (OCoLC)fst00883038
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650 |
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|a Criminalite au cinema.
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650 |
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|a Criminalite à la television.
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650 |
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|a Criminalite dans la litterature.
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650 |
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|a Criminalite
|x Aspect sociologique.
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650 |
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0 |
|a Detective and mystery stories.
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650 |
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0 |
|a Crime in motion pictures.
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650 |
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0 |
|a Crime on television.
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650 |
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0 |
|a Crime in literature.
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650 |
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0 |
|a Crime
|x Sociological aspects.
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/80813/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2021 Complete
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945 |
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|a Project MUSE - 2021 Poetry, Fiction and Creative Non-Fiction
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