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Performing Moving Images : Access, Archives and Affects /
Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and g...
| Autor principal: | |
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| Formato: | Electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam
Amsterdam University Press
[2021]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 210217s2021 ne o 00 0 eng d | ||
| 020 | |a 9789048537075 | ||
| 035 | |a (OCoLC)1273306915 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Siewert, Senta |e Verfasser. |4 aut | |
| 245 | 1 | 0 | |a Performing Moving Images : |b Access, Archives and Affects / |c Senta Siewert. |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2021] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©[2021] | |
| 300 | |a 1 online resource (178 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Framing Film | |
| 520 | |a Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse. | ||
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a PERFORMING ARTS / Film et Video / History et Criticism. |2 bisacsh | |
| 650 | 4 | |a History of Film. | |
| 650 | 4 | |a Film, Media and Communication. | |
| 650 | 4 | |a Contemporary Period. | |
| 650 | 4 | |a Art and Material Culture. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/80792/ |
| 945 | |a Project MUSE - Custom Collection | ||