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|a Jackson-Schebetta, Lisa.
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|a Theatre History Studies 2020, Vol. 39 /
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|a :
|b University of Alabama Press,
|c 2020.
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|a Baltimore, Md. :
|b Project MUSE,
|c 0000
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|c ©2020.
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|a 1 online resource (295 pages).
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|a text
|b txt
|2 rdacontent
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|2 rdamedia
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|a online resource
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|a Theatre History Studies
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| 500 |
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|a Matthew Wilson Smith, The Nervous Stage: Nineteenth-Century Neuroscience and the Birth of Modern Theatre | Reviewed by Macy Jones.
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| 500 |
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|a Description based upon print version of record.
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|a Intro -- Contents -- List of Illustrations -- Introduction | Lisa Jackson-Schebetta -- Part I: Studies In Theatre History -- Red, White, and Black: Shakespeare's The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World | Matthieu Chapman -- Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy | Michael Chemers and Michael Sell -- The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House | Jeffrey Ullom
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| 505 |
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|a When for "Witches" We Read "Women": Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays | Chrystyna Dail -- The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment | Michael Dennis -- Part II: Hemispheric Historiographies -- Introduction to the Special Section | Emily Sahakian, Christiana Molldrem Harkulich, and Lisa Jackson-Schebetta -- Gestures toward a Hemispheric Theatre History: A Work in Progress | Patricia Ybarra
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|a Thinking East and West in Nuestra America: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba | Eric Mayer-Garcia -- Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection | Ana Olivarez-Levinson and Eric Mayer-Garcia -- Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria | Jessica N. Pabon-Colon -- Performance, Cognition, and the Quest for an Affective Historiography | Leo Cabranes-Grant -- Part III: Essays From The Conference
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|a The Robert A. Schanke Award-Winning Essay, from the 2019 Mid-America Theatre Conference: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward's Our Lan' | Julie Burrell -- The Robert A. Schanke Honorable Mention Essay, MATC 2019: Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat | Matthew McMahan -- Part IV: Book Reviews -- Laurie Ellinghausen, ed., Approaches to Teaching Shakespeare's English History Plays | Reviewed by Marina J. Bergenstock
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|a Susan Bennett and Sonia Massai, eds., Ivo van Hove: From Shakespeare to David Bowie | Reviewed by Peter A. Campbell -- Stuart A. Day, Outside Theater: Alliances That Shape Mexico | Reviewed by Sarah Alice Campbell -- Penny Farfan, Performing Queer Modernism | Reviewed by Johnathan Chambers -- Michael Wood, Heiner Müller's Democratic Theater: The Politics of Making the Audience Work | Reviewed by Stacey Connelly -- Nicholas Grene, The Theatre of Tom Murphy: Playwright Adventurer | Reviewed by Adam Goldstein
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|a Description based on print version record.
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| 655 |
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|a Electronic books.
|2 local
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|a McMahan, Matthew.
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| 700 |
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|a Mayer-García, Eric.
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|a Harkulich, Christiana Molldrem.
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| 700 |
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|a Dennis, Michael.
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| 700 |
1 |
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|a Dail, Chrystyna M.
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| 700 |
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|a Chemers, Michael.
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| 700 |
1 |
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|a Chapman, Matthieu.
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| 700 |
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|a Cabranes-Grant, Leo.
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| 700 |
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|a Burrell, Julie.
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| 710 |
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/79658/
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|a Project MUSE - Custom Collection
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